Summary

Portrait of Rudyard Kipling Rudyard Kipling From Sea to Sea; Letters of Travel

Get a large, four-horse break, and drive till you meet an unlimited quantity of pad-elephants waiting at the foot of rich hill-preserves. Mount slowly and with dignity, and go in swinging procession, by the marble-faced border of one of the most lovely lakes on earth. Strike off on a semi-road, semi-hill-torrent path through unthrifty, thorny jungle, and so climb up and up and up, till you see, spread like a map below, the lake and the Palace and the City, hemmed in by the sea of hills that lies between Udaipur and Mount Abu a hundred miles away.
Source: Gutenberg

Portrait of Rudyard Kipling Rudyard Kipling From Sea to Sea; Letters of Travel

A short walk over a grassy down gives on to an outcrop of very dirty sandstone, which in the excessive innocence of his heart the visitor naturally takes to be the coal lying neatly on the surface. Up to this sandstone the path seems to be made of crushed sugar, so white and shiny is the quartz. Over the brow of the down comes in sight the old familiar pit-head wheel, spinning for the dear life, and the eye loses itself in a maze of pumping sheds, red-tiled, mud-walled miners' huts, dotted all over the landscape, and railway lines that run on every kind of gradient.
Source: Gutenberg

Portrait of Rudyard Kipling Rudyard Kipling From Sea to Sea; Letters of Travel

Very far away, some camel-drivers had lighted a fire and were singing as they sat by the side of their beasts. Sound travels as far over sand as over water, and their voices came into the city wall and beat against it in multiplied echoes.
Then he returned to the House of Strange Stories—the Dak-bungalow—and passed the time o' day with a light-hearted bagman—a Cockney, in whose heart there was no thought of India, though he had travelled for years throughout the length and breadth of the Empire and over New Burma as well.
Source: Gutenberg

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