Sigmund Freud

Sigmund Freud

Summary

Portrait of Sigmund Freud Sigmund Freud Psychopathology of Everyday Life (1914)

To oblige a woman who was a stranger in Vienna I had undertaken to procure a small iron safe for the preservation of documents and money. When I offered my services, the image of an establishment in the heart of the city where I was sure I had seen such safes floated before me with extraordinary visual vividness. To be sure, I could not recall the name of the street, but I felt certain that I would discover the store in a walk through the city, for my memory told me that I had passed it countless times.
Source: Gutenberg

Portrait of Sigmund Freud Sigmund Freud Psychopathology of Everyday Life (1914)

The strangeness of the fact that the Œdipus legend takes no offence at the age of Queen Jocasta seemed to me to agree with the assumption that in being in love with one’s mother we never deal with the present personality, but with her youthful memory picture carried over from our childhood. Such incongruities always show themselves where one fantasy fluctuating between two periods is made conscious, and is then bound to one definite period.
Source: Gutenberg

Portrait of Sigmund Freud Sigmund Freud Psychopathology of Everyday Life (1914)

But here, as in the former cases, it is the inner conflict that is betrayed to us through the disturbance in speech. I really do not believe that any one will make mistakes in talking in an audience with His Majesty, in a serious love declaration, or in defending one’s name and honour before a jury; in short, people make no mistakes where they are all there, as the saying goes. Even in criticizing an author’s style we are allowed and accustomed to follow the principle of explanation, which we cannot miss in the origin of a single speech-blunder.
Source: Gutenberg

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