Summary

Sir Arthur Evans Anthropology and the Classics

In the Greek compiler who made this ‘the plan of his researches, to procure that human acts should not be obliterated by time, and that great deeds, wrought some by the Greeks, some by men of other speech, should not come to lose their fame’, we cannot but see a man who meant—with good or ill success—to be in the best sense ‘a mine of information’. But it is the same Herodotus who put it before him in his title-page ‘to discover, besides, the reason why they fought with one another’; and that is why we hail him Father of Anthropology, no less than the Father of History.
Source: Gutenberg

Sir Arthur Evans Anthropology and the Classics

Historic Greece was not very successful in expelling the beast from human nature. The poets of historical Greece were never so successful as Homer. I infer that the Iliad and the Odyssey are prehistoric, the flowers of a brief age of Achaean civilization, an age when the society of princes and ladies had a taste extraordinarily pure and noble. The poems were framed for an aristocratic, not for a popular audience, though I am perfectly ready to grant that the popular audience to which our best ballad minstrels sang also desired a tone of singular purity in the serious romantic lays.
Source: Gutenberg

Sir Arthur Evans Anthropology and the Classics

For most primitive races, I suspect, the medicine-chief, the βασιλεύς, with his immense mana, is Theos, and equally the Theos is the medicine-chief. The rainmaker, the bringer of game, the possessor of the power to make dead and to make alive—there he is, the visible doer of all those things which later races have delegated to higher and more shadowy beings, walking palpably before you with his medicine and perhaps his pipe, his grand manner, his fits, and his terrific dress.
Source: Gutenberg

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