Tito Vignoli

Tito Vignoli

Summary

Portrait of Tito Vignoli Tito Vignoli Myth and Science

In like manner we ascribe our own functions to nature. The river eats into the land; the whirlpool swallows all which is thrown into it, and the wind whistles, howls and moans; the torrent murmurs, the sun is born and dies, the heavens frown, the fields smile. This habit is also transferred to moral questions; and we speak of the heart of the question, the leading idea, the body of doctrines, the members of a philosophic system; we infuse new blood into thought. Truth becomes palpable, a theme is eviscerated, thought is lame, science is childish.
Source: Gutenberg

Portrait of Tito Vignoli Tito Vignoli Myth and Science

I speak of states of consciousness, not of reflex observation, of intense moments of sensation and imagination, which are unnoticed by the man who experiences them in his waking moments. Such is the reader of a poem, a romance, or history, the spectator of a picture, who is able for the time to abstract himself from surrounding objects, and who implicitly believes that he sees those places and persons, or whatever the book or painter has described or represented. If suddenly interrupted, he rouses himself, and may be said to awake to the present reality of things, as if startled from a dream.
Source: Gutenberg

Portrait of Tito Vignoli Tito Vignoli Myth and Science

The world of sense is itself only a symbol, an allegory, a figure. As in the sensible world there is a scale of beings from the lowest to the most perfect, that is to the material universe, so in the sphere of intellect, the type of the world, ideas are combined together by higher ideas, and these again by others still higher, and so on to the apex, the ultimate, supreme, omnipotent Idea, the Good which includes and sums up the whole.
Source: Gutenberg

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