Summary

Various Blackwood's Edinburgh Magazine…

Would you take away from landscape painters the high privilege of genius?—invention—which you allow to historical painters? You do this, if you do not grant to the fullest extent the suggestive character of nature. The musician takes music from the air, which is his raw material; the conception, which works from mere sounds the perfect mystery of power, to shake, to raise, and melt to pity and to love the whole soul, belongs to the mind. And so, for the more perfect work of landscape, the mind must add of its own immortal store, the keeper and dispenser of which is genius.
Source: Gutenberg

Various Blackwood's Edinburgh Magazine…

Gratian.—I am umpire: that is not a version, but a perversion.
Aquilius.—Then it the better suits the picture. I must, however, admit that, to criticise at all, there is need to be out of the fascination of the work. It is quite marvellous in power. We are treating of subjects for pictures, and consequently their sentiment—the why they should, or should not please. It is to be regretted that so great an artist should, not always well conceive the poetry of sentiment.
Curate.—We are, not yet really lovers of art, or we should not be so confined in our taste.
Source: Gutenberg

Various Blackwood's Edinburgh Magazine…

Is the man of business, in this weary turmoil of the daily world, to return to his house, after his labour is over, and see upon his walls nothing but scenes of distress, of poverty, of misery, of hard-heartedness—when he should indulge his sight and his mind with every thing that would tend to refresh his worn spirits, avert painful fears, either for himself or others, and should tune himself, by visible objects of rational hilarity, into the full and free harmonies of a vigorous courage, and health of social nature?
Source: Gutenberg

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