Various

“ Mousquetaires, indeed, who allow themselves to be arrested! But it is my fault for not choosing my men better. What the devil possessed you, Aramis, to ask me for a guardsman's uniform, when a priest's surplice would have fitted you better? And you, Porthos, what is the use of your wearing that magnificent embroidered sword-belt, if the weapon it supports is of such small service to you? And Athos, I do not see Athos. ”

“ None can do so but such as themselves feel warmly and profoundly, and paint passion, emotion, or suffering from their own experience, not the observation of others. Dante has acquired his colossal fame from the matchless force with which he has portrayed the wildest passions, the deepest feelings, the most intense sufferings of the heart. He is the refuge of all those who labour and are heavy laden—of all who feel profoundly or have suffered deeply. His verses are in the mouth of all who are torn by passion, gnawed by remorse, or tormented by apprehension ”

“ The country of Homer and Æschylus sank for a thousand years into the torpor of the Byzantine empire. Originality perishes amidst acquisition. Freshness of conception is its life: like the flame, it burns fierce and clear in the first gales of a pure atmosphere; but languishes and dies in that polluted by many breaths.
It was the resurrection of the human mind, after the seclusion and solitary reflection of the middle ages, which gave this vein of original ideas to Dante, as their first wakening had given to Homer. Thought was not extinct; the human mind was not dormant during the dark ages ”

“ Cervantes had it in an equal degree; and thence it is that Homer, Shakspeare, Cervantes, and Scott, have made so great, and, to all appearance, durable impression on mankind. The human heart is, at bottom, every where the same. There is infinite diversity in the dress he wears, but the naked human figure of one country scarcely differs from another. The writers who have succeeded in reaching this deep substratum, this far-hidden but common source of human action, are understood and admired over all the world. ”

“ Very possibly it is so; but then let us not hope or wish for immortality. "Present time and future," says Sir Joshua Reynolds, "are rivals; he who solicits the one must expect to be discountenanced by the other." It is not that we want genius; what we want is the great and heroic spirit which will devote itself; by strenuous efforts, to great things, without seeking any reward but their accomplishment.
Nor let it be said that great subjects for the painter's pencil, the poet's muse, are not to be found—that they are exhausted by former efforts, and nothing remains to us but imitation. ”

“ Our path had led to where a view of Valenciennes opened on us through the trees; and its shattered ramparts and curtains, the trees felled along its glacis, and its bastions stripped and broken by our cannon-balls, certainly presented a rueful spectacle. The Austrian flag was flying on the citadel.
"There," said he, "is our prize. It is not worth the loading of a single gun; but it has cost us more millions to ruin than it took francs to build it—it has cost us the conquest of France; and will cost Europe the war, which we might have extinguished three months ago if we had but left it behind. ”

“ The dread of ridicule extinguishes originality in its birth. Immense is the incubus thus laid upon the efforts of genius. It is the chief cause of the degradation of taste, the artificial style, the want of original conception, by which the literature of old nations is invariably distinguished. The early poet or painter who portrays what he feels or has seen, with no anxiety but to do so powerfully and truly, is relieved of a load which crushes his subsequent compeers to the earth. Mediocrity is ever envious of genius—ordinary capacity of original thought. ”

“ The reason of the distinction is, that in every instance the nation is a trustee—It has the rights of posterity in its keeping; it has nothing of its own to throw away; it is responsible to every generation to come. If war be essential to the integrity of the empire, war is as much a duty—a terrible duty, I allow—as the protection of our children's property from the grasp of rapine, or the defence of their lives against the midnight robber. But we are advised to peace. No man on earth would do more willing homage than myself to that beneficent genius of nations. ”

“ What was the strife around Troy to the battle of Leipsic?—the contests of Florence and Pisa to the revolutionary war? What ancient naval victory to that of Trafalgar? Rely upon it, subjects for genius are not wanting; genius itself, steadily and perseveringly directed, is the thing required. But genius and energy alone are not sufficient; COURAGE and disinterestedness are needed more than all. Courage to withstand the assaults of envy, to despise the ridicule of mediocrity—disinterestedness to trample under foot the seductions of ease, and disregard the attractions of opulence. ”

“ The writhing sinner plunged headlong into the boiling waves, rising to the surface, and a hundred demons, mocking his sufferings, and with outstretched hooks tearing his flesh till he dived again beneath the liquid fire! It is the reality of the scene, the images familiar yet magnified in horror, which constitutes its power: we stand by; our flesh creeps as it would at witnessing an auto-da-fè of Castile, or on beholding a victim perishing under the knout in Russia. ”

“ The fourth book is the real scene of interest in the Paradise Lost; it is its ravishing scenes of primeval innocence and bliss which have given it immortality. We are never tired of recurring to the bower of Eve, to her devotion to Adam, to the exquisite scenes of Paradise, its woods, its waters, its flowers, its enchantments. We are so, because we feel that it paints the Elysium to which all aspire, which all have for a brief period felt, but which none in this world can durably enjoy. ”

“ Great present celebrity, indeed, is no guarantee for future and enduring fame; in many cases, it is the reverse, but there is a wide difference between the judgment of the present and that of future ages. The favour of the great, the passions of the multitude, the efforts of reviewers, the interest of booksellers, a clique of authors, a coterie of ladies, accidental events, degrading propensities, often enter largely into the composition of present reputation. But opinion is freed from all these disturbing influences by the lapse of time. The grave is the greatest of all purifiers. ”

“ None have attempted to approach him in architecture; the cupola of St Peter's stands alone in the world.
But notwithstanding all this, Michael Angelo had some defects. He created the great style in painting, a style which has made modern Italy as immortal as the arms of the legions did the ancient. But the very grandeur of his conceptions, the vigour of his drawing, his incomparable command of bone and muscle, his lofty expression and impassioned mind, made him neglect, and perhaps despise, the lesser details of his art. Ardent in the pursuit of expression, he often overlooked execution. ”

“ Grecian sculpture was the realization in form of the conceptions of Homer; Italian painting the representation on canvass of the revelations of the gospel, which Dante clothed in the garb of poetry. Future ages should ever strive to equal, but can never hope to excel them.
Never did artist work with more persevering vigour than Michael Angelo. He himself said that he laboured harder for fame, than ever poor artist did for bread. Born of a noble family, the heir to considerable possessions, he took to the arts from his earliest years from enthusiastic passion and conscious power. ”

“ He exhibits in every canto of that wonderful poem a fresh image, but it is a clear one, of horror or anguish, which leaves nothing to the imagination to add or conceive. His ideal characters are real persons; they are present to our senses; we feel their flesh, see the quivering of their limbs, hear their lamentations, and feel a thrill of joy at their felicity. In the Paradiso he is more vague and general, and thence its acknowledged inferiority to the Inferno. But the images of horror are much more powerful than those of happiness; and it is they which have entranced the world. ”

“ It is the art with which this is done, and a state of anxious suspense, like the crisis of a great battle kept up, that the great art of the poet consists. It is done by making the whole dramatic—bringing the characters forward constantly to speak for themselves, making the events succeed each other with almost breathless rapidity, and balancing success alternately from one side to the other, without letting it ever incline decisively to either. ”

“ Is this 'little body with a mighty heart,' to depend for existence on the decaying strength or the decrepit courage of the Continent? Is she only to borrow the shattered armour which has hung up for ages in the halls of continental royalty, and encumber herself with its broken and rusty panoply for the ridicule of the world? The European governments have undergone the vicissitudes of fortune. ”

“ Most of those who have but a low sense of the spells lying couchant in opium, have practically none at all. For the initial fascination is for them effectually defeated by the sickness which nature has associated with the first stages of opium-eating. But to that other class, whose nervous sensibilities vibrate to their profoundest depths under the first touch of the angelic poison, even as a lover's ear thrills on hearing unexpectedly the voice of her whom he loves, opium is the Amreeta cup of beatitude. ”

“ Seven cities, in ancient times, competed for the honour of having given him birth, but seventy nations have since been moulded by his productions. He gave a mythology to the ancients; he has given the fine arts to the modern world. Jupiter, Saturn, Mars, Juno, are still household words in every tongue; Vulcan is yet the god of fire, Neptune of the ocean, Venus of love. When Michael Angelo and Canova strove to embody their conceptions of heroism or beauty, they portrayed the heroes of the Iliad. Flaxman's genius was elevated to the highest point in embodying its events. ”

“ There is scarcely a great and original thinker in whose writings the same expressions do not very frequently recur, often in exactly the same words. How much this is the case with Homer—with how much discrimination and genius his epithets and expressions were first chosen, and how frequently he repeats them, almost in every page, need be told to none who are acquainted with his writings. That is the most decisive mark at once of genius and identity. Original thinkers fall into repetition of expression, because they are always speaking from one model—their own thoughts. ”

“ We might waste a life in finding a suitable simile for her volatility in this matter: rainbows with changing colours, water on a windy day, the wind itself in the month of March, the much-desiderated perpetual motion; all are feeble similes to describe a woman's fickleness in dress. Shall we liken it to her tongue's untiring play? or shall we not rather say that it is a psychological fact standing per se? the concomitant effect and consequence of her beauty? ”

“ The mind is awe-struck by the description of Satan careering through the immensity of space, of the battle of the angels, of the fall of Lucifer, of the suffering, and yet unsubdued spirit of his fellow rebels, of the adamantine gates, and pitchy darkness, and burning lake of hell. But after the first feeling of surprise and admiration is over, it is felt by all, that these lofty contemplations are not interesting to mortals like ourselves. They are too much above real life—too much out of the sphere of ordinary event and interest. ”

“ Painting and statuary, for two thousand years, have been employed in striving to portray, by the pencil or the chisel, his yet breathing conceptions. Language and thought itself have been moulded by the influence of his poetry. Images of wrath are still taken from Achilles, of pride from Agamemnon, of astuteness from Ulysses, of patriotism from Hector, of tenderness from Andromache, of age from Nestor. The galleys of Rome were, the line-of-battle ships of France and England still are, called after his heroes. ”

“ I was sitting in the cabin with Miss Lambton and the old gentleman, who were cool and silent enough, when somebody called out, 'Here comes the George Washington.' A glorious steamer it is that George, more like a floating palace than a boat, as it goes skimming along as lightly and smoothly as a swan. It's a real pleasure to see it. I kept my place by Miss Lambton; but, to tell you the truth, I was sitting upon hot coals. What can be the reason that we men feel so deucedly cowed and quailed by the petticoats? ”

“ Any covering conceals the hair; and if you remove from sight this intrinsically beautiful integument, it is a principle of bad taste to put in its place only a poor copy of the same contour. If you cover the head, cover it with something that forms lines not curving like the skull, nor yet so angular as to create too striking an opposition of ideas in the mind of the beholder. A close-fitting untasseled skull-cap does not improve the form of the head, for it is not half so graceful as the hair; but a square hat or pyramidal cap is truly detestable. ”

“ But the sense of power itself in the national mind forbids the exhibition of its strength in tranquil times. It is lofty and fastidious; it will not stoop to a contest in which nothing is to be contended for. It is not an actor; and it cannot adopt the figured passion of the actor, rend its robe, and flourish, and obtest heaven against the traitor and the oppressor, to the sound of an orchestra, or in the glitter of stage lamps. The true ability of the empire must scorn all mimic encounter ”

“ You were always so tremendously witty, you never had a good word for any body; for witty gals, as you used to be, thinks nothing funny that isn't what they calls severe. But you're a old woman now, and I hope you're improved."
Miss Susannah had never been called an old woman before. If she had seen Mr Gillingham Howard looking with his usual brazen assurance, she would have broken out in a torrent of invective against her merciless tormentor—but the fight was entirely out of that illustrious character, and he stood in trembling silence before his opponent. ”

“ The women were cultivated and intelligent; the men, spirited and enquiring. But the politics of France had made their way through a large portion of the province, and the glories of a republic "loomed large" before the popular eye. As it was my purpose to see all that I could with my own eyes, I mingled largely in society, made no distinction between honourable men of different political creeds, enjoyed to-day the stag-hunt and claret of the noble Whig, and to-morrow the stag-hunt and claret of the noble Tory, listened to all, laughed with all, and learned something from all. ”

“ The reader of Dante must not look for the heart-stirring and animated narrative—the constant interest—the breathless suspense, which hurries us along the rapid current of the Iliad. There are no councils of the gods; no messengers winging their way through the clouds; no combats of chiefs; no cities to storm; no fields to win. It is the infernal regions which the poet, under the guidance of his great leader, Virgil, visits; it is the scene of righteous retribution through which he is led ”

“ He is personally a gallant fellow; and if he wants experience, so must every man at one time or other. His only error, hitherto, has been his condescending to come at all with so small a force under his command. No English army should ever plant its foot upon the Continent with less than fifty thousand men on its muster-roll. The duke's being put at the head of your troops—only a division after all—seems to me the only wise thing that has been done. It was a declaration of the heartiness of your alliance; and I honour your country for the distinctness of the avowal. ”

“ D'Artagnan sprang forward and embraced him, but when he tried to lead him out of the cellar, he perceived that Athos staggered.
"'You are wounded?' cried he.
"'I! not the least,' was the reply. 'I am dead drunk, that is all, and never did any man better deserve to be so. Fore God! mine host, I have drunk for my share, at least one hundred and fifty bottles.'
"'Heaven have mercy on me!' cried the host. 'If the servant has drunk half as much as the master, I am a ruined man.'
"'Grimaud knows his place too well to drink the same wine as his master; he has drunk from the cask. ”

“ I was now fully engaged in public life. The effort which I had made in Parliament had received the approval of Pitt, who, without stooping to notice things so trivial as style and manner on questions of national life and death, highly applauded the courage which had dared to face so distinguished a Parliamentary favourite as Sheridan, and had taken a view of affairs so accordant with his own. From this period, I was constantly occupied in debate; and, taking the premier for my model, I made rapid proficiency in the difficult art of addressing a British House of Commons. ”