Summary

Various Blackwood's Edinburgh Magazine…

If no two great portions of the physical world are like in form, climate, product, and even in the colouring of their skies, why are we to insist on uniformity in government, in human feeling, or in those national impulses which shape society? The throne, the constitution, and the laws of England, noble advances as they are to the perfection of the social system, may be unfit for the man sitting under his palm tree within the tropics, the navigator in the summer seas of the Indian Ocean, or even for the rude vigour and roving enterprise of Australia.
Source: Gutenberg

Various Blackwood's Edinburgh Magazine…

In the more modest—the subdued style—the artist conceals as much as may be the very power he has used, thereby actually strengthening it; for while you have all you want, you know not how much may be in reserve, and you feel it unseen, or may believe it to be unseen, when in fact it is before your eyes, though half veiled for a purpose.
Let not any painter who would be a colourist deceive himself into the belief that the most vivid and unmixed colours are the best for his art, nor that even they are the truest to nature, in whatever sense he may take the word nature.
Source: Gutenberg

Various Blackwood's Edinburgh Magazine…

I am surprised that American scholars submit with such equanimity to grievances under which genius must languish and emulation dies.
I have now in my mind the case of a man of learning—whom I should rejoice to name—of whom this country might well be proud, but whom she hardly knows; a man, of whom I venture to say, that had he been born an Englishman, he would have bequeathed his country another immortal name. He would have done as much to ennoble his native land, had she known how to foster instead of depressing his early enthusiasm.
Source: Gutenberg

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