Various, Blackwood's Edinburgh Magazine…
“ In the history of its great criminals, a nation's character is drawn, as it were, colossally, with the broadest brush, and in the deepest shadows. National virtues have delicate and subtle tints, and exquisitely minute shadings, inviting to a nearer view—like Carlo Dolci's Madonnas, or Constable's forest landscapes: the crimes of a nation present the character of its people, as they rise from the dead in Michael Angelo's Last Judgment. The ordinary vices of men have a certain vulgar air of uniformity ”
