Summary

Various Blackwood's Edinburgh Magazine…

In the history of its great criminals, a nation's character is drawn, as it were, colossally, with the broadest brush, and in the deepest shadows. National virtues have delicate and subtle tints, and exquisitely minute shadings, inviting to a nearer view—like Carlo Dolci's Madonnas, or Constable's forest landscapes: the crimes of a nation present the character of its people, as they rise from the dead in Michael Angelo's Last Judgment. The ordinary vices of men have a certain vulgar air of uniformity
Source: Gutenberg

Various Blackwood's Edinburgh Magazine…

What, in the name of whitebait, have we to do with Greenwich more than with Timbuctoo, or Moscow, or Boston, or Astracan, or the capital of the Cannibal Islands? The great orb of day no doubt surveys all those places in turn, but he does not do so at the same moment, or minute, or hour. It has been ordained by Providence that one half of this globe should be wrapped in darkness whilst the other is illuminated by light—that one fraction of the town-councils of the earth may sleep and be silent, whilst another is awake and gabbling.
Source: Gutenberg

Various Blackwood's Edinburgh Magazine…

If they are, why do they seek to make this income-tax permanent?—why do they ask for five years as the shortest nominal term? "Give us a fair time for the experiment!" shouts the free-trader whenever he is reminded of the utter failure of his scheme. But what is to be considered as a fair time? Are we to be taxed directly, and exorbitantly, for five years, in the hope that when these are over some ray of our former sunshine may revisit us? or are we to wait in patience, with a revenue yearly dwindling, until reciprocity shall arrive for the benefit of a future generation?
Source: Gutenberg

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