Various

“ At the same time, there is much about the piece that is vague, shifty, and unsatisfactory. He is too full of excuses, and too plausible; in a word, too selfish. Hence he has no real message for others, but only wishes to display his skill, which he does by help of the most barefaced and deliberate plagiarism. It was not from the Consolatio Philosophiae of Boethius, but from the English translation of that work by Chaucer, that he really drew his materials; and he often takes occasion to lift lines or ideas from the poem of Troilus whenever he can find any that come in handy. ”

“ I believe that this piece is almost unparalleled as regards the shameful corruption of its text. It cannot be supposed that Thynne or any one else ever read it over with the view of seeing whether the result presented any sense. Originally written in an obscure style, every form of carelessness seems to have been employed in order to render it more obscure than before. In a great number of places, it is easy to restore the sense by the insertion of such necessary words as of, or but, or by. In other places, non-existent words can be replaced by real ones ”

“ Now it is easily seen that La Belle Dame has the same peculiarity, and I venture to think that, on this account, it is worth special attention. If we want to see a specimen of what the Midland literary dialect was like in the middle of the fifteenth century, it is here that we may find it. Many of the stanzas are, in fact, remarkably modern, both in grammar and expression; we have only to alter the spelling, and there is nothing left to explain. ”

“ However, Sackville was not the author of The Court of Love, seeing that it was published in a 'Chaucer' collection in 1561, long before his death.
The fact that our clerk was well acquainted with so many pieces by Chaucer, such as The Knight's Tale, the Complaint of Pity, The Legend of Good Women, Troilus, and Anelida, besides giving us reminiscences of The Letter of Cupid, and (perhaps) of The Cuckoo and Nightingale, raises the suspicion that he had access to Thynne's edition of 1532; and it is quite possible that this very book inspired him for his effort. ”

“ Book III. The first chapter is again introductory, explaining why the number of Books is three. 'The Margaret in virtue is likened to Philosophy, with her three kinds.' It is remarkable that this Third Book, which is dedicated to Joy, is the dullest of the three, being largely taken up with the questions of predestination and free will, with more borrowings from Chaucer's Boethius. In Chapter V, Love explains how continuance in good will produces the fruit of Grace; and, in Chapters VI and VII, shews how such grace is to be attained. ”

“ Owing to the popularity of this edition, many scholars accepted the poems contained in it as being certainly genuine; but it is obvious that this was a very risky thing to do, in the absence of external evidence; especially when it is remembered that Tyrwhitt merely wanted to illustrate his glossary to the Canterbury Tales by adding words from other texts. The idea of drawing up a canon by the process of striking out from luxuriant lists the names of pieces that are obviously spurious, is one that should never have found acceptance. ”

“ Wright has built up another, still less warranted, viz. that the original copy of Jack Upland must have been written in alliterative verse; for no other reason than because Friar Daw's reply is so written. It is obvious that alliteration is conspicuously absent, except in the case of the four lines (424-7) , which are introduced, by way of flourish, at the end. My own belief is that our copy of Jack Upland is a second edition, i.e. an amended and extended copy, which has been reasonably well preserved. ”

“ Perhaps an easier way for enabling a learner to recognise the peculiarities of The Court of Love, and the difference of its language from Chaucer, is to translate some lines of it into Chaucerian English. The effect upon the metre is startling. ”

“ In other words, the First Book is particularly devoted to recounting the errors of his youth, especially how he was led by others into a conspiracy against the state and into deviation from orthodoxy. In the Prologue, he excuses himself for writing in English, and announces the title of the work. He then assures us that he is merely going to gather up the crumbs that have fallen from the table, and to glean handfuls of corn which Boethius has dropped. 'A sly servant in his own help is often much commended' ”

“ When he once gets hold of a refrain that pleases him, he canters merrily along till he has absolutely no more to say. I think he must have enjoyed writing it, and that he wrote it to please himself.
He transgresses one of Chaucer's canons in ll. 79-82; where he rimes hardy with foly and flatery. The two latter words are, in Chaucer, foly-ë and flatery-ë, and never rime with a word like hardy, which has no final -e.
Lydgate is very fond of what may be called catalogues; he begins by enumerating every kind of possibility. You may be rich, or strong, or prudent, &c.; or fair (22) or ugly (24) ”

“ It is of some consequence to learn, first of all, that it is hardly possible to separate this piece from the next. The authoress of one was the authoress of the other. That The Assembly of Ladies is longer and duller, and has not held its own in popular estimation, is no sound argument to the contrary; for it is only partially true. Between the first eleven stanzas of the Assembly and the first eleven stanzas of the present poem, there is a strong general resemblance, and not much to choose. ”

“ I have not observed any passage in which the author copies the exact language of Langland. The dialect seems to be some form of Midland, and is somewhat archaic; many of the verbal forms are of some value to the philologist. Taken altogether, it is a piece of considerable interest and merit. Ten Brink alludes to it as 'that transparent, half-prophetic allegory of the Quarrel between the Griffin and the Pelican'; and adds—'The Griffin was the representative of the prelates and the monks, the Pelican that of real Christianity in Wyclif's sense. ”

“ A few examples will suffice, as a large number of parallel passages are duly pointed out in the Notes.
§ 11. In Chaucer's Boethius (bk. i. pr. 3. 10) , when Philosophy, the heavenly visitant, comes to comfort the writer, her first words are:—'O my norry, sholde I forsaken thee now?' In the Testament (p. 10, l. 37) , Heavenly Love commences her consolations with the same exclamation:—'O my nory, wenest thou that my maner be, to foryete my frendes or my servaunts?' The Latin text—'An te, alumne, desererem?'—does not suggest this remarkable mode of address. ”

“ These are: (1) the author of The Testament of Love, who writes in a prose style all his own; (2) the author of The Plowmans Tale and Plowmans Crede, with his strong powers of invective and love of alliteration, whose style could never have been mistaken for Chaucer's in any age [45] ; (3) the author of Jack Upland, with his direct and searching questions; (4) John Gower, with his scrupulous regularity of grammatical usages; (5) Thomas Hoccleve, who too often accents a dissyllable on the latter syllable when it should be accented on the former ”

“ A large number of stanzas readily lend themselves to similar treatment; and this is quite enough to dissociate the poem from Chaucer. The great difficulty about modernising Chaucer is, as every one knows, his use of the final -e as a distinct syllable; but we may search a whole page of La Belle Dame without finding anything of the kind. When Sir Richard's words have an extra syllable, it is due to the suffix -es or the suffix -ed; and even these are not remarkably numerous; we do not arrive at cloth-ës, a plural in -es, before l. 22 ”

“ Not only do the MSS. of the A-group contain the text in the right order, but they frequently give the better readings. Thus, in l. 47, we have the odd line—'My pen coud never have knowlege what it ment'; as given in MS. Ff., the Trinity MS., and Thynne. The word pen is altered to eyen in MSS. H. and F.; nevertheless, it is perfectly right, for the French original has plume; see the Note on the line. Other examples are given in the Notes.
In l. 174, MS. Ff. alone has the right reading, apert. ”

“ I believe it may be said of nearly every piece in the volume, that it now appears in an improved form. In several cases, I have collated MSS. that have not previously been examined, and have found them to be the best. The Notes are nearly all new; very few have been taken from Bell's Chaucer. Several are due to Schick's useful notes to The Temple of Glas; and some to Krausser's edition of The Black Knight, and to Gröhler's edition of La Belle Dame, both of which reached me after my own notes were all in type. I have added a Glossary of the harder words ”

“ Even in these eight lines we find a contradiction to Chaucer's usage; for he always uses lent, pp., as a monosyllable, and rent-e as a dissyllable. It is further remarkable that he never uses content as an adjective; it first appears in Rom. Rose, 5628.
XXVIII. Sayings. I give these sayings as printed by Caxton; see vol. i. p. 46, where I note that Caxton did not ascribe them to Chaucer. They are not at all in his style.
In MS. Ashmole 59, fol. 78, I find a similar prophecy:—
⁠Prophecia merlini doctoris perfecti. ”

“ VIII. Love tells him he has greatly erred, and must expect much correction. Earthly fame should be despised, whilst he looks for the fame that comes after death.
Ch. IX. Love vindicates the greatness of God and the goodness of His providence.
Ch. X. The author complains of his hard fortune; he has lost his goods and has been deprived of his office. Love explains that adversity teaches salutary lessons, and that the true riches may still be his own. ”

“ After this, Usk joined the party of Sir Nicholas Brembre, mayor of London in 1383-4, 1384-5, and 1385-6, and Collector of Customs in 1381-3, when Chaucer was Comptroller of the same. Brembre had been active in procuring the condemnation of Northampton, and was, at the close of 1386, one of the few personal adherents who remained faithful to the king. In 1387, Richard was busily devising means for the overthrow of the duke of Gloucester's regency, Brembre and Usk being on the king's side ”

“ The nearest approach to such an ideal is at p. 94, l. 114, where we are told that the jewel which he hopes to attain is as precious a pearl as a woman is by nature.
§ 16. It hardly seems worth while to give a detailed analysis of the whole piece. An analysis of the First Book (which is, on the whole, the best) is given by Professor Morley; and the hints which I have already given as to the character and situation of the author will enable the reader to regard the treatise from a right point of view. ”

“ To save himself, he embarks on board a ship; but the reader is disappointed to find that the adventure is wholly unreal; the ship is the ship of Travail, peopled by Sight, Lust, Thought, and Will. He is driven on an island, where he catches a glimpse of Love, and finds a Margaret, a pearl of price. He appeals to Love to comfort him. ”

“ We may note, first of all, that Chaucer is referred to as being dead (l. 65) ; so that the date is after 1400. Again, the poem does not appear to have been recited by the author; it was sent, in the author's handwriting, to the assembled guests (l. 3) . Further, Scogan says that he was 'called' the 'fader,' i.e. tutor, of the young princes (l. 2) ; and that he sent the letter to them out of fervent regard for their welfare, in order to warn them (l. 35) . He regrets that sudden age has come upon him (l. 10) , and wishes to impart to them the lessons which the approach of old age suggests. ”

“ I may add that the Clanvowes were a Herefordshire family, from the neighbourhood of Wigmore. The only remarkable non-Chaucerian word in the poem is the verb greden, to cry out (A.S. grǣdan) ; a word found in many dialects, and used by Layamon, Robert of Gloucester, Langland, and Hoccleve. ”

“ With this correction, the unmeaning THSKNVI is resolved into the two words THIN USK, i.e. 'thine Usk'; a result the more remarkable because Mr. Bradley had previously hit upon Usk as being the probable author. For the autobiographical details exactly coincide, in every particular, with all that is known of the career of Thomas Usk, according to Walsingham, the Rolls of Parliament, and the continuation of Higden's Polychronicon by John Malverne (ed. Lumby, vol. ix. pp. 45-6, 134, 150, 169) ”

“ Briefly, it is a very poor piece; and my chief object in reprinting it is to shew how unworthy it is of Clanvowe, not to mention Chaucer. We have no right even to assign it to Lydgate. And its date may be later than 1450.
§ 55. XX. The Flower and the Leaf.
This piece many 'critics' would assign to Chaucer, merely because they like it. This may be sentiment, but it is not criticism; and, after all, a desire to arrive at the truth should be of more weight with us than indulgence in ignorant credulity. ”

“ The dates suit very well, as they suggest that the English poem was written, probably, between 1450 and 1460, or at the beginning of the second half of the fifteenth century; which sufficiently agrees with the language employed and with the probable age of the MSS. The date assigned in the New English Dictionary, s.v. Currish, is 1460; which cannot be far wrong. It can hardly be much later.
§ 45. The above notice also suggests that, as Sir Richard Ros was of a Leicestershire family, the dialect of the piece may, originally at least, have been North Leicestershire. ”