Walter William Skeat

Summary

Walter William Skeat Chaucer's Works (ed. Skeat) Vol… (1900)

He expands or condenses his material at pleasure; and even, in some cases, transposes the order of it. It is quite clear that he gave himself a free hand.
The most important point is that he did not accept the characters of the three chief actors, Troilus, Criseyde, and Pandarus, as pourtrayed by Boccaccio; he did not even accept all the incidents which gave occasion for their behaviour. Pandarus is no longer the cousin of Criseyde, a young and dashing gallant, but her middle-aged uncle, with blunted perceptions of what is moral and noble.
Source: Wikisource

Walter William Skeat Chaucer's Works (ed. Skeat) Vol… (1900)

If we examine the sources of the story of Hercules in the Monkes Tale, we see that all the supposed facts except the one mentioned in the two lines above quoted are taken from Boethius and Ovid (see the Notes) . Now the next most obvious source of information was Guido's work, since the very first Book has a good deal about Hercules, and the Legend of Hypsipyle clearly shews us that Chaucer was aware of this. And, although neither Ovid (in Met. ix.) nor Boethius has any allusion to the Pillars of Hercules, they are expressly mentioned by Guido.
Source: Wikisource

Walter William Skeat Chaucer's Works (ed. Skeat) Vol… (1900)

Those who are best acquainted with the ways of medieval literature will least hesitate to adopt this view. It is notorious that first lines of a poem are frequently quoted apart from their context, and repeated as if they were complete; and, however amazing such a blunder may seem to us now, there is really nothing very extraordinary about it.
We should also notice that Lollius was to Chaucer a mere name, which he used, in his usual manner, as a sort of convenient embellishment; for he is inconsistent in his use of it.
Source: Wikisource

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