Walter William Skeat

“ That Chaucer had before him, or in his memory, a model for his story of the Falcon is not only possible but highly probable. There exists a somewhat analogous ancient Indian tale of two birds—a male parrot and a hen-maina, a species of hill-starling—in which, however, it is the male bird who is distressed at the female's treachery, and is about to cast himself into the midst of a forest-fire, when he is rescued by a benevolent traveller, to whom he relates the story of his woes. ”

“ The Knight and Squire are particularly interested in the town-walls and the fortifications, which they examine critically, though the Squire's mind is occasionally distracted by irrepressible thoughts of his lady-love. The Clerk of Oxford harangues the Sompnour, and tells him that he ought not to be angry with the Friar for knowing so much about evil-doings, and for telling a Tale about a false Sompnour; for it is well to have some knowledge both of good and evil, and it is admitted that there must always be some evil members of every calling ”

“ With respect to the story of the Falcon, Mr. Clouston observes: 'The scene between Canacé and the Falcon is essentially Asiatic, and Warton's complaint that the bird is represented as talking of Troilus, Paris, and Jason, is utterly absurd. It is, in fact, an Indian fable, with a bird talking out of the Grecian classics instead of out of the Vedas and the Shastras. If the poet had any purpose in writing the story of the deserted Falcon, it could only have been that of any Asiatic fabler, namely, to convey certain moral lessons through the feigned speech of a bird. ”

“ Almost at once he took up the Legend of Good Women, with its Prologue and twenty stories, but again abandoned it for a larger scheme. It is also tolerably clear that the Monkes Tale originally took its rise from a similar desire to write a succession of lives of illustrious men; and that the first conception of this idea preceded that of the Canterbury Tales. We thus see our author constantly striving after the endeavour to produce some great original work; and the Canterbury Tales was, in fact, the result of the latest and greatest of these endeavours. ”

“ The great storehouse of treatises upon alchemy is the Latin collection, in five volumes, called Theatrum Chemicum. I have made considerable use of the edition of this work published in 1660, which I have frequently quoted in the Notes. We hence gather that most of the authors upon the subject wished men to believe that the true secrets of the science were known to themselves only; yet they all learnt more or less of a certain jargon which they continually repeated, attributing their empirical rules to Hermes, or Geber, or other supposed masters. ”

“ It was obvious that, if this treatise was to be inserted among the Canterbury Tales, it could only be assigned to the Parson, who is made, accordingly, to warn the company that he dislikes rime, and can only tell them 'a mery tale in prose'; see I 46. The word mery sometimes meant what we should now call 'interesting'; and it probably interested a much larger number of people in those days than it can possibly do at the present time. Our ancestors, at times, certainly inclined to serious discourses, such as the present age has no relish for. ”

“ One of them, the tragedy of Barnabo, contains the latest allusion in the whole of the Canterbury Tales, as it has reference to the year 1385, the probable date of the Prologue to the Legend of Good Women. The difference in style between the tragedy of Ugolino and such a tragedy as that of Samson or Hercules, must strike the most careless reader; and it is easy to see that this group (f) was an afterthought, being a piece added at the period of revision. So much we can tell from internal evidence, but the fact is curiously corroborated by evidence that is external. ”

“ That of the Canterbury Tales which deserves the next place, as written in the higher strain of poetry, and the poem by which Milton describes and characterises Chaucer, is the Squire's Tale. The imagination of this story consists in Arabian fiction engrafted on Gothic chivalry. Nor is this Arabian fiction purely the sport of arbitrary fancy: it is in great measure founded on Arabian learning. Cambuscan, a King of Tartary, celebrates his birthday festival in the hall of his palace at Sarra with the most royal magnificence. ”

“ Few happier hits have been made than the convincing argument which we are glad to owe to Mr. Bradshaw, whose knowledge of Chaucer's text was believed by many scholars to be without parallel.
But the story of the Shipman's Prologue is not yet ended. Many scribes perceived how ill suited this Prologue was for following the Pardoner's Tale, or the Cook's Tale, or the Tale of Gamelyn, which were the places it was sometimes made to occupy. In order to remedy this apparent defect, a spurious Shipman's Prologue was concocted, consisting of but twelve lines. ”

“ The whole subject of magic is so vast that it is not easy to deal with it within a reasonable space. I must therefore content myself with pointing out a few references, &c., that seem most worthy of being here noted.
The Magic Horse appears in the tale of Cleomades and Claremond; see Keightley's Tales and Popular Fictions. ”

“ Exactly in this notion, Rocail, a giant in some of the Arabian romances, is said to have built a palace, together with his own sepulchre, of most magnificent architecture and with singular artifice: in both of these he placed a great number of gigantic statues or images, figured of different metals by talismanic skill, which in consequence of some occult machinery, performed actions of real life, and looked like living men. We must add that astronomy, which the Arabian philosophers studied with a singular enthusiasm, had no small share in the composition of this miraculous steed. ”

“ One of them stays to watch the sack, whilst the other seeks the miller, who is in a neighbouring wood. The first clerk grows tired of waiting, and goes after the other. Meanwhile, the miller returns, and secretes the sack. The clerks, returning, can find neither sack nor mare. At last they ask the miller to take them in for the night. The story proceeds nearly as in Chaucer; and, in the sequel, the clerks regain both wheat and mare, and take the wheat to be ground elsewhere. Perhaps it is needless to add that Chaucer's Tale is none the less original. ”

“ It was suggested by Professor Seeley that we may profitably compare the form of Chaucer's Prologue with that of the somewhat similar Prologue to William's Vision concerning Piers the Plowman, a work which was very popular in England just at the same time. William introduces us to a Vision, in which he first of all beholds a Field full of Folk, and describes, in succession, the various sets of folk of which the company consisted; such as ploughmen, anchorites, hermits, chapmen, minstrels, beggars, pilgrims, palmers, friars, a pardoner, parish-priests, bishops, lawyers, and stewards. ”

“ But we may, with patience, learn a few things more from the grouping of the tragedies. Putting aside group (f) as an addition at the time of revision, we may note that group (e) follows (a) , for the simple reason that the story of Zenobia is in Boccaccio, whom Chaucer was imitating. We then have only groups (d) , (c) , and (b) to consider, and we notice at once that Chaucer has purposely somewhat mixed up these; for, if we merely transpose (d) and (c) , we bring the tragedy of Nero next that of Crœsus, and immediately preceding it. ”

“ The poets of romance, who deal in Arabian ideas, describe the Trojan horse as made of brass. These sages pretended the power of giving life or speech to some of their compositions in metal. Bishop Grosseteste's speaking brazen head, sometimes attributed to Roger Bacon, has its foundation in Arabian philosophy. In the romance of Valentine and Orson, a brazen head fabricated by a necromancer in a magnificent chamber of the castle of Clerimond, declares to those two princes their royal parentage. ”

“ He goes armed to the wood in quest of Arcita, whom he finds sleeping. At first, they are very civil and friendly to each other. Then Palemone calls upon Arcita to renounce his pretensions to Emilia, or to fight with him. After many long expostulations on the part of Arcita, they fight, and are discovered first by Emilia, who sends for Theseus. When he finds who they are, and the cause of their difference, he forgives them, and proposes the method of deciding their claim to Emilia by a combat of a hundred on each side, to which they gladly agree. ”

“ But the mystical trains of association were pursued much further than this; gold and silver were held to be the most noble of metals; gold was their King, and silver their Queen. Mythological associations were called in aid of these fancies, as had been done in astrology. Gold was Sol, the sun; silver was Luna, the moon; copper, iron, tin, lead, were assigned to Venus, Mars, Jupiter, Saturn. The processes of mixture and heat were spoken of as personal actions and relations, struggles and victories. Some elements were conquerors, some conquered ”

“ Albertus Magnus, who was also a profound adept in those sciences which were taught by the Arabian schools, is said to have framed a man of brass, which not only answered questions readily and truly, but was so loquacious, that Thomas Aquinas, while a pupil of Albertus Magnus, and afterwards an Angelic doctor, knocked it in pieces as the disturber of his abstruse speculations. ”

“ Observe further, that lines 131-3 may be taken to mean, in plain English, that 'I, the poet, should be in want of a Tale to insert here, and should have to write one for the occasion, only I happen, by good fortune, to have one by me which will do very well.' Thus the obliging 'Merchant' who 'taught' Chaucer the Man of Lawes Tale was his industrious younger self. The word 'Merchant' clearly refers to the chapmen or merchants mentioned in B 135, 148, 153, who are supposed to have picked up the story, as has been already said (§ 35) . ”

“ We have thus the pleasure of seeing Chaucer actually at work; he begins with Boccaccio and the Vulgate version of the Bible, drawing upon his recollections [42] of Boethius for the story of Hercules; he next takes a leaf or two from the Romaunt of the Rose; the story of Alexander, suggested (see B 3845) by the book of Maccabees, leads him on to write the tragedy of Caesar; then he tires of his work, and breaks off. Returning to it for the purpose of filling up his great work, he adds a few 'modern instances'; mixes up the order of tales; writes an apology for their want of order ”

“ It is not easy to imitate Chaucer's language for twelve lines together, especially when sense has to be regarded. Moreover, the way in which l. 7 is made to depend on l. 6 is extremely awkward.
In the true Prologue, the Shipman gives due notice that he is going to tell a 'merry,' i.e. a licentious story; which he proceeds to do.
§ 40. The Shipmannes Tale. A similar Tale occurs in Boccaccio's Decamerone, Day 8, Nov. 1. The scene is laid in Milan; the husband is a rich merchant named Guasparruol Cagastraccio; and his wife's name is Ambruogia. The gallant is Gulfardo, a German, and not a priest. ”

“ Another very ancient notion is that male and female principles existed in all three worlds alike, animal, vegetable, and mineral; from which it followed that the union of two metals could produce a third. It was argued that 'monstrosities are the productions of diseased metals (really alloys) , which, if properly treated, may be cured, and will turn to gold, or at least silver. The second stage in this imitation of nature is to obtain, by tincture or projection, solid or liquid gold, the cure of all evils' ”

“ This notion is still preserved in the word arsenic (Gk. ἀρσενικόν, male) . It was universally believed that nature produced changes in the substance of various metals by slow degrees, and the great object of alchemy was to produce the same changes quickly. The chief names in connexion with the progress of alchemy are Geber, a Sabaean, who flourished about A.D. 800; Avicenna, a native of Shiraz, born A.D. 980, died June, 1037; Albertus Magnus, born about 1193, died Nov. 15, 1280, who uses much more intelligible language than alchemists usually indulge in ”

“ Clouston has taken up the subject in a very exhaustive manner. I must therefore refer the reader to his essay 'On the Magical Elements in Chaucer's Squire's Tale, with Analogues,' printed for the Chaucer Society in 1889. He there deals fully with the subjects of Magic Horses, Chariots, &c., Magic Mirrors and Images, Magic Rings and Gems, the Language of Animals, and Magic Swords and Spears. He lays particular stress upon the Romance of Cléomadès and Claremonde above mentioned, to which Keightley had already drawn attention. ”

“ There is nothing to shew that the picture is unfair or overdrawn.
It may well be compared with one of the Tales in Boccaccio's Decamerone, Day 6, Nov. 10, which is given in full in a cheap reprint of selections from this work, edited by Prof. H. Morley, according to an English version made in the time of James I. There is nothing to shew that Chaucer had read this story; and, as has often been remarked above, he seems to have been unacquainted with the Decamerone. Some account of this Tale, with remarks, is given in Dunlop's History of Fiction, chap. vii. ”

“ A dispute arising between the master and the man, the former is put out of countenance, and actually rides away for very sorrow and shame (l. 702) ; but the man remains, to denounce the cupidity of the alchemists and to expose their trickery. Tyrwhitt remarks:—'The introduction of the Chanouns Yeman to tell a tale, at a time when so many of the original characters remain to be called upon, appears a little extraordinary. It should seem, that some sudden resentment had determined Chaucer to interrupt the regular course of his work, in order to insert a satire against the alchemists. ”