John Wesley Hales

John Wesley Hales

Summary

Portrait of John Wesley Hales John Wesley Hales Dictionary of National Biography… (1887)

Fully as other influences have acted upon him, what strikes us is his extraordinary originality. For what is best in his best work he is debtor to no man. He is the first great figure of modern English literature, the first great humorist of modern Europe, and the first great writerm whom the dramatic spirit, so long vanished and seemingly extinct, reappears. Except Dante, there is no poet of the middle ages of superior faculty and distinction.
As to the manuscripts of Chaucer, see Furnvall's 'Six Text Edition of the Canterbury Tales, &c.,' an invaluable help to Chaucerian study.
Source: Wikisource

Portrait of John Wesley Hales John Wesley Hales Dictionary of National Biography… (1887)

At the beginning of the third book he seems specially conscious of its inadequacy, as when he speaks of the ‘ryme’ as ‘lyght and lewed.’ He is longing for a better ‘art poetical’—a finer ‘craft.' The result is seen in two new metrical developments-in the stanza of seven ‘heroic’ lines, commonl called ‘rime royal,’ because a king, a humble imitator of Chaucer, used it; and secondly in the heroic couplet which has ever since been one of our most polpular measures.
Source: Wikisource

Portrait of John Wesley Hales John Wesley Hales Dictionary of National Biography… (1887)

In the ‘Assembly of Foules,’ ‘Troylus and Cryseyde,’ the ‘House of Fame,” and the ‘Canterbury Tales,’ as well as the ‘Boke of the Duchesse,’ some certainly written after he was married, Chaucer brings himself before us as one never crowned with happiness in love, as an alien from love's courts, one banished from his favour. The well-known lines in the ‘Boke of the Duchesse’ were quoted long ago by Godwin as portraying some love trouble (see Boke of the Duchesse, verses 30–42) . The date of the ‘Boke of the Duchesse’ is, as already pointed out, 1369.
Source: Wikisource

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