Summary

Various Encyclopaedia Britannica, 11th Edition…

With a passion unmatched in Europe till Wordsworth’s day, the Sung artists portrayed their delight in mountains, mists, plunging torrents, the flight of the wild geese from the reed-beds, the moonlit reveries of sages in forest solitudes, the fisherman in his boat on lake or stream. To them also, steeped in the Zen philosophy of contemplation, a flowering branch was no mere subject for a decorative study, but a symbol of the infinite life of nature. A mere hint to the spectator’s imagination is often all that they rely on
Source: Gutenberg

Various Encyclopaedia Britannica, 11th Edition…

If the mere manual labour of writing was so great, we cannot wonder that all superfluous particles or other words that could be dispensed with were ruthlessly cut away. So it came about that all the old classical works were composed in the tersest of language, as remote as can be imagined from the speech of the people. The passion for brevity and conciseness was pushed to an extreme, and resulted more often than not in such obscurity that detailed commentaries on the classics were found to be necessary, and have always constituted an important branch of Chinese literature.
Source: Gutenberg

Various Encyclopaedia Britannica, 11th Edition…

But even before she sickened and died—of grief, it was officially stated, at the loss of her imperial spouse—the dowager-empresses had solved the question of the succession by placing Kwang-su on the throne, a measure which was not only in itself arbitrary, but also in direct conflict with one of the most sacred of Chinese traditions. The solemn rites of ancestor-worship, incumbent on every Chinaman, and, above all, upon the emperor, can only be properly performed by a member of a younger generation than those whom it is his duty to honour.
Source: Gutenberg

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