Summary

Various Mother Earth, Vol. 1 No. 2, April 1906

And yet we never say to a woman, Be a mother when you will; we hold up our hands in horror at the very thought of motherhood itself, and we say, Marry; marry anything; get another name for yourself; merge your very identity into that of some man; get a home; never mind about children; you don't have to have them; they have nothing to do with your respectability. Is it not so? Is it not so that that woman who prefers her own name and her freedom, and who exercises her highest function of motherhood, thereby becomes a thing of scorn and contumely?
Source: Gutenberg

Various Mother Earth, Vol. 1 No. 2, April 1906

This, too, was Schopenhauer's idea of the Drama. In it, his eye perceived with horror that human relation became disastrously interwoven; that guilt and atonement made light of the human race, which merely served as a target for the principles of good and evil. Guilt and atonement reign because the blind force of life will not resign itself, but, on the contrary, is ever ready to yield itself to the struggle of the passions. Mountains of guilt pile themselves on the top of each other, while purifying fires ever flame up into the heavens.
Source: Gutenberg

Various Mother Earth, Vol. 1 No. 2, April 1906

The modern drama is, in its profoundest depths, an attempt to ignore good and evil in its analysis of human manifestations. It aims to get at a complete whole, out of each strong, healthy emotion, out of each absorbing mood that carries and urges one forward from the beginning to the end. It represents the World as it reflects itself in each passion, in each quivering life
Source: Gutenberg

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