Summary

Various The Little Review, August 1915…

So Zarathustra demanded of his disciples: “Let your dying be no blasphemy of men and earth; my friends, your spirit and your virtue shall still glow in your dying, like the evening red over the earth, or else death has miserably betrayed you.”
Death our will even, our freedom—this is life’s highest meaning! Who but Nietzsche could have thought that? Of course, this is not to throw life away, when it has become hard and heavy to bear. Such a death would be of all the most unfree. It would be a flight, not a deed; it would be a lamentation and a feebleness, not a festival of the soul!
Source: Gutenberg

Various The Little Review, August 1915…

It means that we give to life a worth which no death can destroy, which first in death reveals its eternal power. I must die—so laments the slave, who has lived only non-entities even in his life, and has never learned that life is work, creation, consummation. I will die—so speaks the hero, to whom every fight brings the prize of a victory well worth death!—the hero who hazards his life every moment for the highest human good, who knows that he and his life have become a sacrifice from which a better, higher, freer humanity shall gain its life and its strength.
Source: Gutenberg

Various The Little Review, August 1915…

The beauty that has come to her daughter is a fragile thing. The lovliness she visioned is the most delicately mortal of life’s treasures. Fiercely the mother hurls herself against it, hurls the reproaches of her dead soul, the recriminations of her entombed spirit—the odors of the dead.... And her weapons are tangible things. They are sentences. They are the moral perversions with which the family unit always has fought for its preservation. They are tried things, prophetic precedents. And the beauty in the normal being is an indefinite force—a vagueness.
Source: Gutenberg

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