The Little Review

Definition and stakes

Various,  The Little Review, June-July 1915…

“ Slobberdom, Sneerdom, and Boredom Ben Hecht
It is the custom of inspired opinion to pay little attention to mediocrities, to dismiss them with a shudder. I understand The Little Review to be an embodiment of inspired opinion, an abandonment of mental emotion—Youth. Like some of the people who read it and even some of them who write for it, it flies at the throats of contemporary Chimeras and leaps upon the Pegasi of the moment. It slashes and roars, hates and loves. It never considers the right and never considers the wrong. It does not endeavor to be just and fair.
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Source: Gutenberg

Various,  The Little Review, June-July 1915…

“ It is the virtue of The Little Review that it permits its contributors to use “I” as often as they please; that it permits them to make fools of themselves occasionally. This means that it is not impossible to write well for The Little Review. I do not say that it is not possible to write badly for The Little Review. Perfect freedom to be idiotic does not inevitably eliminate idiocy.
But I have no more compliments for The Little Review.
Poetry is another matter. Miss Monroe’s magazine has printed some bad verse. But this is not, as its most envious critics imagine, its distinction.
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Source: Gutenberg

Various,  The Little Review, April 1916…

“ Shall we not organize life on such basis?
REVIEWING “THE LITTLE REVIEW” Virginia York in “The Richmond Evening Journal”:
As we said a couple of months ago, The Little Review, published in windy Chicago, is claimed by its editors and readers to be the very, very last word in prose and poetry. Also, it is the organ, the mouth organ, perhaps, of that unsustained tune known as “vers libre.” In a criticism of some of the Review’s lurid, foolish contents we poked a good deal of fun at the publication in general and one piece of loose, or free, verse in particular.
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Source: Gutenberg

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