Virginia Woolf

Virginia Woolf

The Dial (1923)

Summary

Portrait of Virginia Woolf Virginia Woolf,  The Dial (1923)

“ But no good looking! One must economize. She must go on past the picture dealer’s where one of the odd French pictures hung, as if people had thrown confetti—pink and blue—for a joke. If you had lived with pictures (and it’s the same with books and music) thought Clarissa, passing the Aeolian Hall, you can’t be taken in by a joke.
The river of Bond Street was clogged. There, like a Queen at a tournament, raised, regal, was Lady Bexborough. She sat in her carriage, upright, alone, looking through her glasses. The white glove was loose at her wrist.
”
Source: Wikisource

Portrait of Virginia Woolf Virginia Woolf,  The Dial (1923)

“ Nothing in any of them to love or reverence or pity or forgive; no beauty, sweetness, pathos; but they are all like people made of zinc with their characters painted in big black letters on their surfaces so that there shall be no mistake. To read her book is like coming into a drawingroom, such as are common nowadays, overlighted with dozens of electric lights—all a hard blinding glare with no faintest spot of shade anywhere. ”
Source: Wikisource

Portrait of Virginia Woolf Virginia Woolf,  The Dial (1923)

“ But if Dick were to die to-morrow as for believing in God—no, she would let the children choose, but for herself, like Lady Bexborough, who opened the bazaar, they say, with the telegram in her hand—Roden, her favourite, killed—she would go on. But why, if one doesn’t believe? For the sake of others, she thought, taking the glove in her hand. This girl would be much more unhappy if she didn’t believe.
"Thirty shillings" said the shopwoman. "No, pardon me Ma­dame, thirty-five. The French gloves are more."
For one doesn’t live for oneself, thought Clarissa.
”
Source: Wikisource

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