William Hazlitt

Summary

William Hazlitt The Spirit of the Age (1825)

Crabbe's Helicon is choked up with weeds and corruption; it reflects no light from heaven, it emits no cheerful sound: no flowers of love, of hope, or joy spring up near it, or they bloom only to wither in a moment. Our poet's verse does not put a spirit of youth in every thing, but a spirit of fear, despondency, and decay: it is not an electric spark to kindle or expand, but acts like the torpedo's touch to deaden or contract. It lends no dazzling tints to fancy, it aids no soothing feelings in the heart, it gladdens no prospect, it stirs no wish
Source: Wikisource

William Hazlitt The Spirit of the Age (1825)

It is a double privilege, almost too much for humanity. He has all the pride of birth and genius. The strength of his imagination leads him to indulge in fantastic opinions; the elevation of his rank sets censure at defiance. He becomes a pampered egotist. He has a seat in the House of Lords, a niche in the Temple of Fame. Every-day mortals, opinions, things are not good enough for him to touch or think of. A mere nobleman is, in his estimation, but "the tenth transmitter of a foolish face:" a mere man of genius is no better than a worm. His Muse is also a lady of quality.
Source: Wikisource

William Hazlitt The Spirit of the Age (1825)

His popular, inartificial style gets rid (at a blow) of all the trappings of verse, of all the high places of poetry: "the cloud-capt towers, the solemn temples, the gorgeous palaces," are swept to the ground, and "like the baseless fabric of a vision, leave not a wreck behind." All the traditions of learning, all the superstitions of age, are obliterated and effaced. We begin de novo, on a tabula rasa of poetry. The purple pall, the nodding plume of tragedy are exploded as mere pantomime and trick, to return to the simplicity of truth and nature.
Source: Wikisource

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