active 19th century Lady of distinction

Summary

active 19th century Lady of distinction The Mirror of the Graces (1831)

The snow-drop, lily of the valley, violet, primrose, myrtle, Provence rose,—these and their resemblances, are embellishments which harmonize with their gaiety and blooming years. The colors of their garments, when not white, should be the most tender shades of green, yellow, pink, blue, and lilac. These when judiciously selected, or mingled, array the graceful wearer, like another Iris, breathing youth and loveliness.
Should a young woman, of majestic character, inquire for appropriate apparel, she will find it to correspond with her graver and more dignified mien.
Source: Gutenberg

active 19th century Lady of distinction The Mirror of the Graces (1831)

I behold in it the work of the most perfect being—the accomplishment of one of his fairest designs. He seems to show in earthy mould the lovely transcript of the angels of heaven: she looks, she breathes, of innocence and sweet unconscious beauty. But when I cast my eyes on women issuing from the house of a modern manufacturer of shapes; when I see the functions of nature impeded by bands and ligatures; when I behold the abode of virgin modesty thrust forward to the gaze of the libertine; when I observe the pains taken to attract his eye,—I turn away disgusted, and blush for my sex.
Source: Gutenberg

active 19th century Lady of distinction The Mirror of the Graces (1831)

Nature having maintained a harmony between the figure of woman and her years, it is decorous that the consistency should extend to the materials and fashion of her apparel. For youth to dress like age, is an instance of bad taste seldom seen. But age, affecting the airy garments of youth, the transparent drapery of Cos, and the sportiveness of a girl, is an anachronism as frequent as it is ridiculous.
Virgin, bridal Beauty, when she arrays herself with taste, obeys an end of her creation—that of increasing her charms in the eyes of some virtuous lover, or the husband of her bosom.
Source: Gutenberg

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