Basilica of Saint Peter

“ However, Pierre at last turned into the Via di Sant' Offizio, and passing the sacristy of St. Peter's, found himself before the Palace of the Holy Office in a solitary silent district, which the footfall of pedestrians or the rumble of wheels but seldom disturbs. The sun alone lives there, in sheets of light which spread slowly over the small, white paving. You divine the vicinity of the Basilica, for there is a smell as of incense, a cloisteral quiescence as of the slumber of centuries. ”

“ Once more the young man found himself alone on the gloomy expanse of the Piazza of St. Peter’s. Not a single belated pedestrian was to be seen. There was only the lofty, livid, ghost-like obelisk, emerging between its four candelabra, from the mosaic pavement of red and serpentine porphyry. The facade of the Basilica also showed vaguely, pale as a vision, whilst from it on either side like a pair of giant arms stretched the quadruple colonnade, a thicket of stone, steeped in obscurity. The dome was but a huge roundness scarcely discernible against the moonless sky ”

“ These being admitted, it will be understood that his Holiness, thanks to the distinguished privilege conferred on him by our Subalpine gentlemen, not only could not make his appearance in the streets of his own Rome without manifest risk of life, but he could not even descend to the basilica of the [Pg 782] Vatican to perform a sacred function, without exposing himself to contumely and insult by the very side of St. Peter’s tomb, and even on the altar itself. ”

“ Peter’s first basilica stood side by side, fanes of the dying faith and of the triumphing religion. It stirs the imagination to recall that when in the early seventeenth century certain changes were being made in the present St. Peter’s, a considerable number of inscriptions were discovered buried in the ground, recording the celebration of the taurobolium by members of the nobility after the first St. ”

“ No vestige remains of the shell of Parian marble which encircled it, while the statues were torn off to be used as missiles against the Goths, and later as cannon balls.
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ST. PETER’S, ROME, ITALY. This is the largest and most magnificent of all Christian temples. It is built on the supposed site of the burial-place of St. Peter. As early as A. D. 90 an oratory was raised on the spot; in 306 this was followed by a basilica. The present edifice was begun in 1506, and after employing the talents of Bramante, Michel Angelo and other architects, was dedicated by Urban III in 1626. ”

“ But if the divine basilica of Peter appears so beautiful and radiant when the sun surrounds it with an aureola of rubies and sapphires, what will it be when the look of faith, which discovers things invisible, sees it surrounded by the rays, a thousand times more brilliant, of divine and incorruptible truth? Such, nevertheless, will be the spectacle Catholic souls will enjoy when is accomplished what the bishops in a celebrated address have styled the great work of light—grande opus illuminationis. ”

“ Jerome, "It is on this rock that the church was founded; whoever eats of the lamb out of this house is defiled." They all proclaim with St. Irenæus that "all churches ought to rally around that of Rome on account of its preponderating preëminence," as the smaller domes of the basilica surround the great dome to render homage to its royal dignity, propter potiorem principalitatem. Finally, the same testimony is rendered to the supremacy of St. Peter's chair by the immense "council of catacombs," by all the saints whose relics repose in this campo santo, this "holy field" of the Christian world. ”

“ The Chief Mosque (Djamâa el-Kebîra) is built into the ruins of an early-Christian basilica (?) .
The early-Christian *Church of St. Peter (Arabic Dâr el-Kuss) was a small columnar basilica of the early 5th cent, with nave and aisles (23 by 101⁄2 yds.) ; but the narthex (vestibule, now used as a church) and the fine choir-recess have alone been left standing. Many Roman sculptures, mostly from a temple, have been built into the walls of the aisles, which were originally vaulted. The nave, which once had a timber roof, retains relics of its old mosaic pavement. ”

“ The walls themselves seem to rise and grow, not in proportion of a people, but a God.
Michael Angelo alone has understood Catholicism, and in St. Peter's has given it its most sublime and complete expression—an apotheosis in stones, the monumental transfiguration of the religion of Christ. The architects of gothic cathedrals were sublime barbarians—Michael Angelo a philosopher in conception. Saint Peter's is itself philosophical Christianity from which the divine architect chases darkness and superstition, and bids enter the imperishable stream of beauty, symmetry, and light. ”

“ Peter's, that most stupendous and incomparable Basilica, far surpassing any now extant in the world, and perhaps, Solomon's Temple excepted, any that was ever built. The largeness of the piazza before the portico is worth observing, because it affords a noble prospect of the church, not crowded up, as for the most part is the case in other places where great churches are erected. In this is a fountain, out of which gushes a river rather than a stream which, ascending a good height, breaks upon a round emboss of marble into millions of pearls that fall into the subjacent basins with great noise ”

“ Passing the altar of St Paul, bearing a statue of the saint and a fine relief of the scene of his blindness, the chapel of St Peter is reached. In front is a screen with statues of the Virgin and Child and four women saints, the Massegne. In the apse of this chapel is the entrance to the Sacristy, one of the most beautiful chambers in Europe. The magnificent mosaic ceiling designed by Titian and wrought with perfect art; the rich marble decorations; the symmetry and proportion of the architecture; the chastened glow of colour will not fail to impress the spectator. ”

“ The cathedral of St Peter, begun in 1162 by Henry II. of England and Eleanor of Guienne on the ruins of a Roman basilica, and well advanced by the end of the 12th century, is a building in the Romanesque and Early Gothic style, the latter predominating. It consists of three naves almost equal in height and width both of which decrease towards the west, thus enhancing the perspective. Its length is 308 ft., and the keystone of the central vaulted roof is 89 ft. above the pavement. There is no apse, and the exterior generally has a heavy appearance. ”

“ In the earliest Christian basilica, St Peter’s at Rome, built 330 A.D., the apse, 57 ft. in diameter, raised above the confessio or crypt, was placed at the west end of the church. This orientation was originally followed in the churches of St Paul and St Lawrence (S. Lorenzo fuori le Mura) , both outside the walls of Rome, and is found in most of the churches at Rome. On the other hand, in the Byzantine church, the apse was built at the east end of the church. ”

“ Peter’s, ‘of right, and for the honour of that most sacred Basilica of St. Peter (which was the first church founded in London, namely, in the year of our Lord 199, by King Lucius, and in which was the metropolitan see for four hundred years and more) shall go alone after all the other Rectors of the same City ... as being priors or abbots over them.’ [From an account of the Church of St. Peter upon Cornhill, by the Rev. R. Whittington, now Prebendary of St. Paul’s, 1872.] ”

“ And so they crossed the world till they stopped at the miraculous dome of God, St. Peter’s Church at Rome, with its colonnade like outstretched arms, as if desiring to embrace all mankind. The whole interior of the vast basilica is alive with worshippers this Christmas Eve. It is the midnight mass of the Feast of the Nativity under Rome’s great dome. The incense rises in clouds; the organ holds its breath and grovels latent, as if hushed by the touch of God’s finger. The silence is broken only by the shrill tinkling of a silver bell. ”

“ Twelve columns, brick and marble alternating, support a good Romanesque gallery under the dome. The six marble shafts came from the pagan temple. In the centre is a grand altar-pulpit, which has a stairway leading up on either side. Under the altar is an urn which at one time held the remains of S. Petronio. On the stone floor a shutter of iron covers the well that possesses miraculous properties, these having been imparted to it by the saint. The church dates from the tenth century. An iron grille in one of the walls shuts off the oldest church of all, a basilica of the fourth century. ”

“ With Michael Angelo dead, what does this miserable architecture, which survived itself in the state of a spectre, do? It takes Saint-Peter in Rome, copies it and parodies it. It is a mania. It is a pity. Each century has its Saint-Peter’s of Rome; in the seventeenth century, the Val-de-Grâce; in the eighteenth, Sainte-Geneviève. Each country has its Saint-Peter’s of Rome. London has one; Petersburg has another; Paris has two or three. The insignificant testament, the last dotage of a decrepit grand art falling back into infancy before it dies. ”

“ Peter’s, and standing face to face with the ancient city as it slumbered heavily in the sunlight and dreamt its dream of eternity.
But on lowering his eyes to the piazza in front of the Basilica he perceived the multitude, the 40,000 believers streaming over the pavement like insects. And then he thought that he could hear the cry again rising: “Evviva il Papa-Re! evviva il Papa-Re! Long live the Pope-King!” Whilst ascending those endless staircases a moment previously it had seemed to him as if the colossus of stone were quivering with the frantic shout raised beneath its ceilings. ”

“ It performs the office of gloom or of mystery in Gothic churches; hangs like a rolling mist along the gilded vault of the nave, melts into bright interfusion the mosaic scintillations of the dome, clings and clusters and lingers, animates the whole huge and otherwise empty shell. A good Catholic, I suppose, is the same Catholic anywhere, before the grandest as well as the humblest altars; but to a visitor not formally enrolled St. Peter’s speaks less of aspiration than of full and convenient assurance. The soul infinitely expands there, if one will, but all on its quite human level. ”

“ At another time, there was the Exhibition of the Relics in Saint Peter's, which took place at between six and seven o'clock in the evening, and was striking from the cathedral being dark and gloomy, and having a great many people in it. The place into which the relics were brought, one by one, by a party of three priests, was a high balcony near the chief altar. This was the only lighted part of the church. There are always a hundred and twelve lamps burning near the altar, and there were two tall tapers, besides, near the black statue of St. Peter ”

“ Peter's like a saint in glory, on his Sedia Gestatoria.
Every visitor must needs enter the Vatican by one of three entrances: by whichever he may enter he must be dead of soul whose imagination is not fired.
If it is the gate in the little pavilion, as graceful as a Classical temple, which admits the unprivileged to the Pope's Garden, the Vatican Library and the Museum of Sculpture, the Sistine Chapel and Raffaelle's Stanze and Loggia, he will be met by a procession of the gods of Greece, chiselled out of fair white marble in the workshops of two thousand years ago. ”

“ Peter. It is more than certain that no premeditated intention has produced this lapidary and monumental synthesis. All has been brought about in a spontaneous manner—effected only by a sense of the truth here set forth, and whose inspirations have been followed. The Vatican basilica has become an immense book, which shows on every leaf the authentic proofs and characteristics assigned by Christian antiquity as the means of recognizing the true institution founded by Jesus Christ. ”

“ The Harrises drove down the Borgo Nuovo to the church of St. Peter. Its approach is through a magnificent piazza ornamented on the right and left by two semicircular porticoes of 284 columns, which are surmounted by an entablature, and 192 statues, each eleven feet in height. It is claimed that the origin of the Cathedral of St. Peter is due to the impulse given by Pope Julius II. who decided to erect a grand monument for himself in his life-time, and the new edifice was needed to shield it. ”

“ While conversing, Pierre and Narcisse had reached the Piazza of St. Peter’s, and they sat down at one of the little tables skirting the pavement outside the restaurant where they had lunched once before. The linen was none too clean, but the view was splendid. The Basilica rose up in front of them, and the Vatican on the right, above the majestic curve of the colonnade. ”

“ And having examined them, Pierre was leaning forward to glance at the Vatican’s jumble of ruddy roofs, when it seemed to him that the shout from which he had fled was rising from the piazza, and thereupon, in all haste, he resumed his ascent within the pillar conducting to the dome. There was first a staircase, and then came some narrow, oblique passages, inclines intersected by a few steps, between the inner and outer walls of the cupola. Yielding to curiosity, Pierre pushed a door open, and suddenly found himself inside the Basilica again, at nearly 200 feet from the ground. ”

“ It occurs to me that the idea of this statue being a Jupiter converted, either by melting down or partial alteration, may have arisen from confounding this statue with another statue of St. Peter, now kept in the crypt of the church under the dome, and in the chapel of the Madonna della Bocciata or del Portico. This is also a seated statue of St. Peter, and stood in the atrium of the ancient basilica. It seems to have been a Pagan figure converted:—
"There is reason to believe that this statue of St. ”