Boccace's Decameron

Definition and stakes

Portrait of Christopher Morley Christopher Morley,  An Apology for Boccaccio (1916)

“ Or if he is to tell a broad farce or a bit of downright obscenity, it is done so merrily, so frankly, so fully, with such evident delight in the carnal details as almost robs it of its sting. It is the triumphant humanity of the man, his passionate interest in all aspects of life, his appetite for reality, that is his defence and his acquittal. As Sir Walter Raleigh said in his lecture on Boccaccio, the secret of the Decameron is the secret of air and light. Brilliant sunshine inundates it. As soon as you open the book you are out of doors. ”
Source: Wikisource

Edward Hutton,  Giovanni Boccaccio, a Biographical Study

“ I speak fully of the Decameron elsewhere, and have indeed only mentioned it here for two reasons—to fix its date in the story of his life, and to contrast it and its mood with the work which immediately followed it, the Corbaccio and the Vita di Dante.
We cannot, I think, remind ourselves too often in our attempts—and after all they can never be more than attempts—to understand the development of Boccaccio's mind, of his soul even, that he had but one really profound passion in his life, his love for Fiammetta.
”
Source: Gutenberg

Portrait of John Addington Symonds John Addington Symonds,  Renaissance in Italy, Volume 4…

“ On others it is plainly written that they were the outpourings of a personal desire, the self-indulgence of a fancy which reveled in imagined sensuality, using literature as the safety-valve for subjective longings. They lack the calm of perfect art, the full light falling on the object from without, which marks a poem of the highest order. From these romances of his youth, no less than from the Latin treatises of his maturity, we return to the Decameron when we seek to place Boccaccio among the classics. ”
Source: Gutenberg

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