Lucrezia Borgia

Definition and stakes

Tales from the Operas

In Ferrara, where the Borgias reign. Where the cruel Duke Alfonzo reigns, where also his cruel wife is Duchess, the terrible Lucrezia Borgia.
See, in this grand square, there is the palace of the duke. Mark his arms carved over the gateway, the awful name Borgia swelling from the stone beneath.
The new Venetian ambassador with his suite had arrived.
It is night-time, and plot and murder are awake.
Look! is not this the figure of the tall, proud-looking man who watched the Borgia from a gondola in Venice. And the man with him, ’tis he who told of Gennaro.
Source: Gutenberg

John Bond In the Pillory: The Tale of the Borgia Pope… (1929)

Few women in history have exercised so great a fascination on her contemporaries and on later generations as Lucrezia Borgia, who only required wider opportunities to become a second Cleopatra. The figure of the pope's daughter between her terrible father and brother, in part their tragic victim, in part a seductive siren and lastly a penitent Magdalen, exercises a charm on the imagination by the mystery which surrounds her and in the obscurity of which guilt and innocence struggle for supremacy, while in the background stands the ever interesting spectacle of the Vatican.
Source: Wikisource

Michael Field Borgia: A Period Play

Not ever, not like Joffré, for a wife.
You shall not sit there looking lone—beside you,
Father, a power we have not measured yet,
That we shall measure. After all my wars,
And all my wars will be to draw you peace,
I shall return.
Kiss me.
ALEXANDER.
My heart,
No blessing—oh, a kiss!
SCENE III
A room in the Palace of Santa Maria in Porticu belonging to Donna Lucrezia Borgia d’Aragon. Donna Lucrezia sits at the head of a couch; Duke Cesare de Valentinois lies along it. They are both dressed in white satin, embroidered with gold and pearls.
LUCREZIA.
You have seen the little mother?
Source: Gutenberg

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