J. Maurice Farrar, Mary Anderson
“ Never was the pride of a free maiden of ancient Greece more nobly expressed than in Parthenia: never were the gradual steps from fear and abhorrence to love more finely portrayed than in the stages of her rising passion for the savage chieftain, whose captive hostage she was. Her Pauline was the old patrician beauty of France living on the stage, a true woman in spite of the selfish veneer of pride and caste with which the traditions of the ancient noblesse had covered her ”
