Sir Claude Phillips, The Earlier Work of Titian
“ Nature, instead of being broadened and developed by art, is here stifled. In the St. Peter Martyr the tremendous figure of the attendant friar fleeing in frenzied terror, with vast draperies all fluttering in the storm-wind, is in attitude and gesture based on nothing in nature. It is a stage-dramatic effect, a carefully studied attitude that we have here, though of the most imposing kind. In the same way the relation of the executioner to the martyred saint, who in the moment of supreme agony appeals to Heaven, is an academic and conventional rather than a true one based on natural truth. ”
