Peter Martyr

Definition and stakes

Sir Claude Phillips,  The Earlier Work of Titian

“ Nature, instead of being broadened and developed by art, is here stifled. In the St. Peter Martyr the tremendous figure of the attendant friar fleeing in frenzied terror, with vast draperies all fluttering in the storm-wind, is in attitude and gesture based on nothing in nature. It is a stage-dramatic effect, a carefully studied attitude that we have here, though of the most imposing kind. In the same way the relation of the executioner to the martyred saint, who in the moment of supreme agony appeals to Heaven, is an academic and conventional rather than a true one based on natural truth. ”
Source: Gutenberg

Portrait of Hubert Howe Bancroft Hubert Howe Bancroft,  History of Central America, Volume 1…

“ The lines of tradition were snapped; the cosmos had lost its continuity. Peter Martyr, a grave man of broad and deep capabilities; well situated for procuring information, meeting daily, many of them at his own table, those who had returned from the Indies—discoverers, conquerors, explorers, sailors, priests, and cavaliers—having access to the official letters, diaries, charts, and relations of these men, his account, I say, should be as reliable and as valuable as that of one who had actually mingled in the scenes described. ”
Source: Gutenberg

Pietro Martire d' Anghiera,  De Orbe Novo, Volume 1 (of 2)

“ No one could more advantageously introduce a foreigner at the Court of Spain than Tendilla. What prospects he held out or what arguments he used to induce Martyr to quit Rome and Italy, we do not know; apparently little persuasion was required. A true child of his times, Peter Martyr was prepared to accept his intellectual heritage wherever he found it. From the obscure parental village of Arona, his steps first led him to the ducal court of Milan, which served as a stepping-stone from which he advanced into the wider world of Rome. ”
Source: Gutenberg

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