The Castle of Otranto

Definition and stakes

William Beckford Shorter Novels, Eighteenth Century

To pass on to The Castle of Otranto from Rasselas is like going from the reality and reasonable order of Kew Gardens, with its noble lawns and splendidly cultivated trees, into some side-show of artificial medievalism, complete with ghosts in rattling armour, skeletons and knights, at the White City or the old Earl’s Court Exhibition. At a step we leave behind us the familiar light of day for a castle of uneasy spirits with the wind whining through its battlements. Otranto is such a castle, indeed, as never existed and its people were never anywhere but inside its walls.
Source: Gutenberg

Portrait of M. E. Braddon M. E. Braddon John Marchmont's Legacy, Volume 1…

So invincible is the power of custom, that we might make ourselves comfortable in the Castle of Otranto, after a reasonable sojourn within its mysterious walls: familiarity would breed contempt for the giant helmet, and all the other grim apparitions of the haunted dwelling. The commonplace and ignoble wants of every-day life must surely bring disenchantment with them.
Source: Gutenberg

Portrait of Horace Walpole Horace Walpole The Castle of Otranto (1766)

Curious persons, who have leisure to employ in such researches, may possibly discover in the Italian writers the foundation on which our author has built. If a catastrophe, at all resembling that which he describes, is believed to have given rise to this work, it will contribute to interest the reader, and will make the castle of Otranto a still more moving story.
Source: Wikisource

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