Word Portraits of Famous Writers
“ He enters the room with a countenance so satisfied and a step so light and almost fantastic, that all your previous impressions of the dignity and severity of the Edinburgh Review are immediately put to flight, and, passing at once to the opposite extreme, you might, perhaps, imagine him to be frivolous, vain, and supercilious. He accosts you too, with a freedom and familiarity which may, perhaps, put you at your ease and render conversation unceremonious ”
