The Waverley Novels

“ Are they right or wrong, the critics who tell us, occasionally, that Scott’s good novels make up for his bad verse, or that verse and prose, all must go? Pro captu lectoris, by the reader’s taste, they stand or fall; yet even pessimism can scarcely believe that the Waverley Novels are mortal. They were once the joy of every class of minds; they cannot cease to be the joy of those who cling to the permanently good, and can understand and forgive lapses, carelessnesses, and the leisurely literary fashion of a former age. But, as to the poems, many give them up who cling to the novels. ”

“ These pompous discourses in which the speaker often talks of himself in the third person, were in vogue, in novel writing, we do not know why, and they are a stone of stumbling to readers who do not blench when a modern hero mouths fustian in the tone of a demoniac at large. All these unfashionable traits are to be found up and down the Waverley novels, combined with descriptive passages that, to some, are a weariness. ”

“ Regarding the humorous side of the Waverley novels alone, which is all that concerns us here, one has only to think of Caleb Balderston, of Edie Ochiltree, of Cuddie Headrigg, of Andrew Fairservice; has but to utter aloud to himself the familiar “Ma conscience!” of Bailie Nicol Jarvie; the “Prodigious!” of Dominie Samson; the “Jeanie, woman!” of the Laird of Dumbiedikes—to have his mind peopled like a market-place with familiar figures, and his memory serving his tongue with passage upon passage, page upon page, and all with the freedom and rapidity of electric telegraphy. ”

“ So she saw them; she heard them; but whatever they said had also this quality, as if what they said was like the movement of a trout when, at the same time, one can see the ripple and the gravel, something to the right, something to the left; and the whole is held together; for whereas in active life she would be netting and separating one thing from another; she would be saying she liked the Waverley novels or had not read them; she would be urging herself forward ”

“ When we look back from the vantage-ground of our own day on the second, the prose, period of Scott's authorship, we find it impossible to see the long series of the Waverley Novels in the same light in which they appeared to his contemporaries. We understand the satisfaction which lay in the certainty that they would never give offence, that they might always be welcomed gladly, not only as gifted, but as perfectly moral works. ”

“ The success of the Waverley Novels turned the main force of the genius and literary resources of the country into the ever widening channel of prose fiction. Many names of note appeared before the public as novel writers about that time. In Scotland, under the immediate shadow of the author of "Waverley," came John Galt, Mrs. Johnstone, Miss Ferrier, the Ettrick Shepherd, Allan Cunningham, Gibson Lockhart, Picken, Moir. In Ireland, and of Irish birth, there were Colley, Grattan, Crofton Croker, Banim, Gerald Griffin, Samuel Lover, and last, though not least, William Carleton. ”

“ We spoke of this novel when it first appeared in almost the highest terms of commendation that we could command. A re-perusal of it only confirms our impression, that in scholarly conscientiousness, artistic skill, and romantic interest, it more nearly approaches the best of the Waverley novels than any fiction that has appeared since then. We can give it no higher praise. We only wonder that it has so tardily won the honours of a cheap edition. ”

“ As I live, I feel more and more that literature should be cheerful and brave-spirited, even if it cannot be made beautiful and pious and heroic. We wish it to be a green place; the Waverley Novels are better to re-read than the over-true Life, fine as dear Sir Walter was. ”

“ This triumph was repeated in the splendid novels which followed in rapid succession. Between 1815 and 1825 twelve of these so-called Waverley novels came from his pen. They were translated into all the languages of Europe and exercised a profound influence upon the whole subsequent history of European fiction.
The Waverley novels may be grouped under two heads—novels of Scottish life, and novels based upon incidents of English history. Of the former, the greatest are "Guy Mannering," "Rob Roy," "The Heart of Midlothian," and "Old Mortality." ”

“ The Waverley Novels
At the moment when ruin faced him he found himself suddenly in the possession of a great income from an unexpected source. In 1805 he had written, almost at a sitting, an instalment of a story of the uprising of 1745 in a futile attempt to restore the exiled Stuart, Charles Edward, to the throne. In 1814 he completed the story and published it anonymously under the title of "Waverley." The novel was written in what the oarsmen call a "spurt" ”

“ The publication of Waverley marked a new era in romantic literature.
During the eighty years that have followed that publication mankind has had its hopes, longings, ambitions and jealousies mirrored in works of fiction. Hundreds, ay, thousands of novels—most of them unworthy of their high lineage—have contended with each other for the world’s approbation; writers without number have flooded the century with romance; but through all these years Walter Scott stands the acknowledged master, the purest-hearted, the noblest-minded of them all ”

“ After Waverley other novels followed fast, each one adding to the reputation of the unknown author, and now, from the name of the first, we call them all the Waverley Novels.
Scott's was one of the most wonderful successes—perhaps the most wonderful—that has ever been known in our literature. "As long as Sir Walter Scott wrote poetry," said a friend, "there was neither man nor woman ever thought of either reading or writing anything but poetry. But the instant that he gave over writing poetry, there was neither man nor woman ever read it more! ”

“ This secret of attraction would,7 of course, soon be found out, by those most interested in the sale; but the grand introduction of utility was at that period when the Waverley novels made their appearance. Then, instead of the exaggerated imaginings of a diseased brain, with all its superhuman agency, we had History beautifully blended with Fiction, or rather Truth, accurate descriptions of nature, and correct pictures of life, both high and low. We all remember what powerful sensations those literary wonders at first created, and what a crowd of imitators followed in their train. ”

“ The world created by Scott in his Waverley novels and peopled with vitally real characters will never grow old-fashioned nor uninteresting. The Waverley novels hold the present day fiction reader no less than the student of literature who appreciates the significance of the Scott novel as the forerunner of historical romance. The present edition is made from newly set type; each story contains the author’s own introduction, besides notes, glossary and index to characters and scenes. ”

“ The Waverley Novels.—As early as 1805, while producing his beautiful poems, he had tried his hand upon a story in prose, based upon the stirring events in 1745, resulting in the fatal battle of Culloden, which gave a death-blow to the cause of the Stuarts, and to their attempts to regain the crown. Dissatisfied with the effort, and considering it at that time less promising than poetry, he had thrown the manuscript aside in a desk with some old fishing-tackle. ”

“ Lang is right, and our first friends in the land of fiction are always the most real. And yet I had read before this “Guy Mannering,” and some of “Waverley,” with no such delighted sense of truth and humour, and I read immediately after the greater part of the Waverley Novels, and was never moved again in the same way or to the same degree. One circumstance is suspicious: my critical estimate of the Waverley Novels has scarce changed at all since I was ten. “Rob Roy,” “Guy Mannering,” and “Redgauntlet” first ”

“ In the opening introduction to the collected edition of the novels, Scott has given a very full account of the genesis of Waverley. These introductions, written before the final inroad had been made on his powers by the united strength of physical and moral misfortune, animated at once by the last glow of those powers, and by the indefinable charm of a fond retrospection, displaying every faculty in autumn luxuriance, are so delightful that they sometimes seem to be the very cream and essence of his literary work in prose. ”

“ At a public dinner in Edinburgh, for the benefit of the Theatrical Fund, on the 23d of February 1827, Sir Walter made his first avowal as to the authorship of the Waverley Novels,—an announcement which scarcely took the public by surprise. The physical energies of the illustrious author were now suffering a rapid decline; and in his increasing infirmities, and liability to sudden and severe attacks of pain, and even of unconsciousness, it became evident to his friends, that, in the praiseworthy effort to pay his debts, he was sacrificing his health and shortening his life. ”

“ When we add Ratclifte, the pleasing rogue, the wild singer, Madge Wildfire, the thrilling interest of the Porteous mob, the study of the great Duke of Argyll, the scene with the Queen, the adventures of the road, and the matchless character of Jeanie Deans, with her foil in the pretty wilful Effie, we must acknowledge that, if The Heart of Midlothian is not absolutely the first, alone in place, of the Waverley novels, it is certainly second to none. ”

“ The building past which he drives is marked “Old Bailey”; whilst a snuff manufacturer in the street at the back advertises himself as the vendor of “Real Irish Blackguard.”
The dry, quaint humour of the author of “Waverley” exactly Waverley Novels. suited the quaint imaginings of our artist. Both Scott and Cruikshank delighted in the supernatural and the marvellous, and this is why some of the most characteristic of the artist’s designs are to be found in his illustrations to the “Waverley Novels.” ”

“ In addition to the loose and incoherent style of the narration, another leading fault in these novels is the total want of interest which the reader attaches to the character of the hero. Waverley, Brown, or Bertram in Guy Mannering, and Lovel in the Antiquary, are all brethren of a family; very amiable and very insipid sort of young men. ”

“ We may readily believe that Shakspeare too preferred Jacques and the Fat Knight to Orlando or the favoured lover of Anne Page. Your hero is a difficult person to make human,—unless, indeed, he has the defects of Pendennis or Tom Jones. But it is likely enough that the Waverley whom Scott had in his mind in 1805 was hardly the Waverley of 1813. His early English chapters are much in the ordinary vein of novels as they were then written ”

“ Till they appeared, novels seem to have been left to readers like the plaintive lady’s-maid whom Scott met at Dalkeith, when he beheld “the fair one descend from the carriage with three half-bound volumes of a novel in her hand.” Mr. Morritt, writing to Scott in March, 1815, hopes he will “restore pure narrative to the dignity from which it gradually slipped before it dwindled into a manufactory for the circulating library.” “Waverley,” he asserted, “would prevail over people otherwise averse to blue-backed volumes.” Thus it was an unconsidered art which Scott took up and revived. ”

“ The variety of these devices, and the frequency of their recurrence, kept Sir John de Walton's anxiety so perpetually upon the stretch, that he at no time thought himself exactly out of the Black Douglas's reach, any more than the good Christian supposes himself out of reach of the wiles of the Devil; while every new temptation, instead of confirming his hope, seems to announce that the immediate retreat of the Evil One will be followed by some new attack yet more cunningly devised. ”

“ Walter Scott has no business to write novels, especially good ones. It is not fair. He has fame and profit enough as a poet, and should not be taking the bread out of the mouths of other people.
I do not like him, and do not mean to like "Waverley" if I can help it, but fear I must. ”

“ The next point is—I think I saw Flora go up towards the waterfall a short time since—follow, man, follow! don't allow the garrison time to strengthen its purposes of resistance—ALERTE A LA MURAILLE! Seek Flora out, and learn her decision as soon as you can—and Cupid go with you, while I go to look over belts and cartouch-boxes.'
Waverley ascended the glen with an anxious and throbbing heart. Love, with all its romantic train of hopes, fears, and wishes, was mingled with other feelings of a nature less easily defined. ”

“ From such legends our hero would steal away to indulge the fancies they excited. In the corner of the large and sombre library, with no other light than was afforded by the decaying brands on its ponderous and ample hearth, he would exercise for hours that internal sorcery by which past or imaginary events are presented in action, as it were, to the eye of the muser. Then arose in long and fair array the splendour of the bridal feast at Waverley-Castle ”

“ The extraordinary author of Waverley is always true to nature in his depiction of character, and it has been a great subject of interest to me to trace in remote spots and corners of the earth the original lines which he has beautifully copied, and very often to find that realized, which I had before imagined to be merely the conception of a brilliant imagination. ”

“ I beg your pardon, Flora—your brother, you know, is out of the question; he has more sense than half of them. But can you think the fierce, hot, furious spirits, of whose brawls we see much, and hear more, and who terrify me out of my life every day in the world, are at all to be compared to Waverley?'
'I do not compare him with those uneducated men, my dear Rose. I only lament, that, with his talents and genius, he does not assume that place in society for which they eminently fit him, and that he does not lend their full impulse to the noble cause in which he has enlisted. ”