John Ruskin,
Mornings in Florence
“ His great point, however, in this fresco, is the assertion of the reality of the stigmata against all question. There is not only one St. Thomas to be convinced; there are five;—one to each wound. Of these, four are intent only on satisfying their curiosity, and are peering or probing; one only kisses the hand he has lifted. The rest of the picture never was much more than a grey drawing of a noble burial service; of all concerned in which, one monk, only, is worthy to see the soul taken up to heaven; and he is evidently just the monk whom nobody in the convent thought anything of. ”
