Valeria Messalina

Definition and stakes

Portrait of Guglielmo Ferrero Guglielmo Ferrero,  The Women of the Caesars — Chapter 5 (1911)

“ We must admit in his justification that in this matter he had not been particularly fortunate; for fate had given him to wife a lady who, notwithstanding her illustrious ancestors,—she belonged to one of the greatest families of Rome, related to the family of Augustus,—was not exactly suited to be his companion in the imperial dignity. Every one knows that the name of Valeria Messalina has become in history synonymous with all the faults and all the vices of which a woman can be guilty. ”
Source: Wikisource

Portrait of Jacob Abbott Jacob Abbott,  Nero

“ Agrippina continued, therefore, to live at Rome, in high favor with the court, for several years,—her little son advancing all the time in age and in maturity, until at length he became twelve years old. At this time, another great change took place in his own and his mother's condition. Messalina became herself, by her wickedness and infatuation, the means of raising her rival into her own place as wife of the emperor. ”
Source: Gutenberg

Portrait of Guglielmo Ferrero Guglielmo Ferrero,  The Women of the Caesars

“ But it is certain that if Messalina was not a monster, she was a beautiful woman, capricious, gay, powerful, reckless, avid of luxury and of money, who had never scrupled to abuse the weakness of her husband in any way either by deceiving him or by obliging him to follow her will and her caprice in everything. She was a woman, in short, neither very virtuous nor serious. There are such women at all times and in all social classes, and they are generally considered by the majority not as monsters, but as a pleasing, though dangerous, variety of the feminine sex. ”
Source: Gutenberg

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