The concept of "Westover" emerges in literature as a multifaceted symbol, often representing a character or setting that intersects with themes of social observation, personal conflict, and existential reflection. Authors such as William Dean Howells portray Westover as an artist navigating rural social dynamics, capturing moments of quiet tension and human connection, as seen in his depictions of gatherings and solitary contemplation.
Robert Abernathy situates Westover in a surreal, almost mythic landscape, where he confronts the vastness of an unknowable force, while George Cary Eggleston frames him as a political figure entangled in the currents of communal expectation. These varied approaches reveal Westover as a vessel for exploring human vulnerability, creativity, and the interplay between individual autonomy and collective storytelling.