Blackface refers to the use of makeup and performance to caricature Blackness, historically employed by white performers to perpetuate racist stereotypes. Authors such as Claude McKay condemned it as a tool of oppression, while Sonja Smit examined its evolution in contemporary contexts, such as Die Antwoord’s work.
Mary White Ovington critiqued its role in reinforcing racial hierarchies in vaudeville, and William Wells Brown exposed the hypocrisy of racial prejudice rooted in slavery. These perspectives reveal blackface as both a cultural artifact and a mechanism of systemic racism, reflecting enduring tensions between identity, performance, and power.