Blackface

Definition and stakes

Sonja Smit,  Enter the imperceptible: Reading Die Antwoord (2015)

“ Of course, Visser's black paint is different to the mask which was created in conventional blackface minstrelsy, but the reference is clear. While the original use of blackface was used to effect the appearance of Blackness by White performers, in this case, it covers the entirety of her body and is glossy and reflective, instead of the matte burnt cork in traditional minstrelsy. This glossy texture of the body paint is noteworthy: gloss is surface value, something deceptively good in appearance, perhaps similar to the neoliberal mask which "promotes" alterity. ”
Source: Wikisource

Portrait of Mary White Ovington Mary White Ovington,  Half a Man: The Status of the Negro in New York

“ In this attempt to show the occupational life of the Negro, we have found that race prejudice often proves a bar to complete success, to full manhood. Something of this is true with the actor as well as with the laborer and the business man. In securing entrance in vaudeville, color is at first an advantage. The "darky" to the white man is grotesquely amusing, and by rolling his eyes, showing a glistening smile, and wearing shoes that make a monstrosity of his feet, the Negro may create a laugh where the man with a white skin would be hooted off the stage. ”
Source: Gutenberg

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