Blue color

“ The rest of the world wear blue and purple, or orange and green, entirely ignorant of the harmonies of nature even as bearing on their domestic surroundings. For myself, I have always held that the most perfect harmonies required in either wall decoration, furniture, dress goods, or any other fabrics that color enters into, have their exact counterpart in some color tones of nature—that the russet-browns and yellows of autumn; the contrasting opalescent hues of a morning sky, rose-pink, pale blue, or delicate tea-rose yellow ”

“ The water is remarkably clear, but when undisturbed is the deepest blue possible to imagine. From the surrounding rim this blue is intense, and is equally so when seen from a boat, but is then of a more brilliant hue. One who has never seen it can not comprehend the intensity of color. ”

“ You would think, by the way she paints, that her colors cost her something enormous; she will only give you a single pure touch, just where the petal turns into light; but down in the bell all is subdued, and under the petal all is subdued, even in the showiest flower. What you thought was bright blue is, when you look close, only dusty gray, or green, or purple, or every color in the world at once, only a single gleam or streak of pure blue in the center of it. ”

“ Whether the hypothesis be true or false, it is certainly noteworthy that, of the primary colors, blue alone has remained, up to the present time, a color pleasurable in its purest intensity to the vision of highly civilized races. Bright red, bright green, bright orange, yellow, or violet, can be used but sparingly in our nineteenth-century attire and decoration. They have become offensive in their spectral purity because of the violence of the sensations that they give;—they remain grateful only to the rudimentary æsthetic feeling of children, of the totally uncultivated, or of savages. ”

“ We are familiar with the effects of red which are stimulating, exciting, or irritating. The toreador, recognizing this principle, waves a flaming red mantle before the bull. Blue has an exactly opposite effect. It quiets and soothes, and when it runs into violet, it becomes depressing. Experiment with purple lights and you will find that they give a note of gloom, mystery, or of impending disaster. Yellow is the color that brings gaiety and light-heartedness, as you will recall when you contrast your own feelings on a sunshiny day and on a gray day. ”

“ This beautiful combination gives a wide range of color for selection. Blues, especially sapphire shades, dark reds, pale pink, blue grays, white, both cream and blue-white, and black, solid and transparent. For jewels, pearls, sapphires, opals, turquoise, diamonds. White flowers, also violets, pansies, etc.
The woman with blue eyes should always have some blue about her. It is really extremely interesting to notice how blue brought up close to the throat and then a bow of the same in her hair intensifies the blue in the eyes, making even the pale, wishy-washy orbs a deep violet. ”

“ Under the direct yellow light of a descending sun, for instance, pure white and pure blue are both impossible; because the purest whites and blues that nature could produce would be turned in some degree into gold or green by it; and when the sun is within half a degree of the horizon, if the sky be clear, a rose light supersedes the golden one, still more overwhelming in its effect on local color. ”

“ How rare a color blue must have been originally among our flora is evident from the majority of blue and purple flowers that, although now abundant here and so perfectly at home, are really quite recent immigrants from Europe and Asia. ”

“ One of the seven colors into which the rays of light divide themselves, when refracted through a glass prism; the color of the clear sky, or a color resembling that, whether lighter or darker; a pigment having such color. Sometimes, poetically, the sky.
2. A pedantic woman; a bluestocking. [Colloq.]
3. pl. [Short for blue devils.] Low spirits; a fit of despondency; melancholy. [Colloq.]
Berlin blue, Prussian blue. Ð Mineral blue. See under Mineral. Ð Prussian blue. See under Prussian.
Blue, v. t. [imp. & p.p. Blued (?) ; p. pr. & vb. n. Bluing.] To make blue; to dye of a blue color ”

“ The first depends more on the light, and follows the sky. In clear weather, in summer, they appear blue at a little distance, especially if agitated, and at a great distance all appear alike. In stormy weather they are sometimes of a dark slate color. The sea, however, is said to be blue one day and green another without any perceptible change in the atmosphere. I have seen our river, when, the landscape being covered with snow, both water and ice were almost as green as grass. Some consider blue "to be the color of pure water, whether liquid or solid." ”

“ Severe or over strict in morals; gloom; as, blue and sour religionists; suiting one who is over strict in morals; inculcating an impracticable, severe, or gloomy mortality; as, blue laws.
6. Literary; Ð applied to women; Ð an abbreviation of bluestocking. [Colloq.]
The ladies were very blue and well informed.
Thackeray.
Blue asbestus. See Crocidolite. Ð Blue black, of, or having, a very dark blue color, almost black. Ð Blue blood. See under Blood. Ð Blue buck (Zo”l.) , a small South African antelope (Cephalophus pygm‘us) ; also applied to a larger species (?goceras leucoph‘us) ”

“ All the recent scientific writers on color treat this three-color scheme as already exploded, because the simplest as well as the most complex experiments with colored light prove its falsity. Nevertheless, the fact that yellow and blue, which with light make very nearly white, do in the mixture of pigments produce a green, has deceived many persons. ”

“ Blue, he thinks, causes dissimilation of the blue-yellow substance, while its regeneration is caused by yellow. All colors, he supposes, act in a dissimilating manner on the black-white substance—that is, they produce the sensation of white in addition to their own peculiar color. They act, however, in varying degrees of intensity, yellow acting with the greatest power, the strength of action diminishing toward the two ends of the spectrum. ”

“ They bore a hole in the sky, and let you up into a pool of deep, stagnant blue, marked off by the clear round edges of imperturbable, impenetrable cloud on all sides—beautiful in positive color, but totally destitute of that exquisite gradation and change, that fleeting, panting, hesitating effort, with which the first glance of the natural sky is shed through the turbulence of the earth-storm. ”

“ Often in our English mornings, the rain-clouds in the dawn form soft level fields, which melt imperceptibly into the blue; or when of less extent, gather into apparent bars, crossing the sheets of broader cloud above; and all these bathed throughout in an unspeakable light of pure rose-color, and purple, and amber, and blue; not shining, but misty-soft; the barred masses, when seen nearer, composed of clusters or tresses of cloud, like floss silk; looking as if each knot were a little swathe or sheaf of lighted rain. No clouds form such skies, none are so tender, various, inimitable. ”

“ Why was his hair tinted with gold? An evil omen was golden hair in my life. Why had not the brown of his eyes crushed out and killed the blue?—for brown were his father’s eyes, and his father’s father’s. And thus in the Land of the Color-line I saw, as it fell across my baby, the shadow of the Veil. ”

“ I asked a shepherd once. “The blueness of blueness,” he answered, in Gaelic. It is so. It is not blue one sees, but the bloom of blue; as on a wild plum, it is not the purple skin we note, but the amethyst bloom of purple which lies upon it. It is beauty, with its own loveliness upon it like a breath. Then the blue deepens, or greys, as the hour and the light compel. The most rare and subtle loveliness is when the grey silhouette of the mountain-ridge, serrated line, or freaked and tormented [Pg 23] peaks, or vast unbroken amplitude, sinks into the sudden deep clearness of the enveloping sky. ”

“ Blue and green have been termed discordant, and in painting they may undoubtedly be made so. Yet those are two colours which nature seems to intend never to be separated, and never to be felt, either of them, in its full beauty, without the other—a blue sky through green leaves, or a blue wave with green lights through it, being precisely the loveliest things, next to clouds at sunrise, in this coloured world of ours. A good eye for colour will soon discover how constantly nature puts green and purple together, purple and scarlet, green and blue, yellow and neutral grey, and the like ”

“ Blues and bluish-greens suffer most change in artificial light, as they become degraded to duller and greyer shades. Greens become bluish-greens, yellow-greens are not much changed, bluish-greens become more yellowish. Indigo blue changes to greenish grey. Violet becomes purple, and purple much redder. Yellow becomes paler in artificial light, but, on the contrary, orange becomes redder, and all bright reds from vermilion to carmine become still brighter in hue. Brilliant blues, like cobalt and ultramarine, appear more purplish in gaslight. ”

“ Two unique tints struck our view; blue and white—the blue as vivid as turquoises, sapphires, or cobalt, in fact the very deepest azure that can be imagined, and the white as pure as silver, snow, milk, marble, or the finest crystallized sugar! The blue was the sky repeated by the sea; the white was the town. It is impossible to conceive anything more radiant and more dazzling—to imagine light more diffused, and, at the same time, more intense. ”

“ The blue has so much of the property of light in it, and of the tint of air—is so purely a sky-colour, and hence so singularly adapted to the direct and reflex light of the sky, and to become the antagonist of sunshine—that it is indispensable to the painter. Moreover, it is so pure, so true, so unchangeable in its tints and glazings, as to be no less essential in imitating the marvellous colouring of nature in flesh and flowers. ”

“ Apart from association blue is less attractive than red, orange, and yellow, because less luminous; furthermore green is the least effective background for such a colour as blue in so small an object as a flower; and, as a fact, we see that at a little distance the blue of the flower is absorbed and disappears in the surrounding green, while reds and yellows keep their splendour. Nevertheless the blue has a stronger hold on our affections. ”

“ In the autumn, nearly all leaves show brilliant patches of colour.
In borrowing Nature’s colours to set forth our ideas, we have become possessors of a mighty vehicle of expression. With yellow, we can speak of life, light, cheer and vitality. Red tells of fire, heat, blood, excitement and passion. Blue indicates coolness, quiet and restraint. In choosing green for its most universal colour, Nature harmonizes life and restraint, warmth and coolness, as represented by the component blue and yellow. ”

“ The skin, too, needed some beautiful colour, and there were red as well as blue flowers in the bunch; and the red flowers being most abundant in nature and in greater variety of tints, give us altogether more pleasure than their beautiful rivals in our affection.
The blue flower is associated, consciously or not, with the human blue eye; and as the floral blue is in all or nearly all instances pure and beautiful, it is like the most beautiful human eye. This association, and not the colour itself, strikes me as the true cause of the superior attraction which the blue flower has for most of us. ”

“ The eyes of the Goddess of Love were blue; the sky above is blue; the bird of paradise is blue; the deep sea is blue. Press your thumbs on your eyes and what do you see? Blue—the deepest blue imaginable: it is the light of the mind and soul burning in your head, dear; and that is why poets and singers are so fond of blue.'
'Then you think——'
'Think? I know, child. Besides, a man with a blue beard is different from all other men; and besides, again, in the dark all beards are black.'
'But even in the light, dear mother, you think it is changing—just a little?'
'Yes, my darling, I do. ”

“ But among mountains, in addition to all this, large unbroken spaces of pure violet and purple are introduced in their distances; and even near, by films of cloud passing over the darkness of ravines or forests, blues are produced of the most subtle tenderness; these azures and purples passing into rose colour of otherwise wholly unattainable delicacy among the upper summits, the blue of the sky being at the same time purer and deeper than in the plains. ”

“ Nothing so nearly approaches pure white as the palest blue; nothing is so nearly black as the darkest.
Green has been assigned by nature the place of the universal background. It is the complementary colour of red, softening and assimilating it by reflected shadows, and setting off the glory of every flower and fruit. The expression of green is gaiety and modesty, light and tenderness, shadow and repose, to both the eye and the mind. ”

“ Red is the colour of blood,—a colour allied necessarily from time immemorial with violent mental impressions, whether of war, or love, or the chase, or religious sacrifice. Green itself is the colour of the world. Blue,—the blue of the far away sky,—has necessarily always been for man the colour mysterious and holy,—always associated with those high phenomena of heaven which first inspired wonder and fear of the Unknown. ”

“ Much, however, may be done to give blue its proper effect, even by artificial light, either by placing a light tone of blue close to the darker one, or by interspersing it with white, which will often lead the eye to see the darker blue, and prevent its appearing black. This may be seen in some Persian carpets where two blues are used. And if some of these have too much green for daylight, they have a good effect at night, except when in excess. Dark green, like dark blue, looks darker by artificial light. ”