Firing (ceramics)

Definition and stakes

Edward Dillon,  Porcelain

“ It would seem that the process of firing is carried on more rapidly than in former days, and to economise fuel and time the smaller pieces at any rate are taken out a few hours after the extinction of the fire. Sometimes on opening the furnace the whole contents, both seggars and porcelain, are found to be reduced to a half-melted mass as hard as a rock. A change in the weather may alter in a moment the action of the fire, so that a hundred workmen are ruined to one who succeeds and is able to set up a crockery shop. ”
Source: Gutenberg

Benvenuto Cellini,  The treatises of Benvenuto Cellini on goldsmithing and sculpture (1898)

“ Then you heat it on charcoal, firing it and the charcoal together in a brick furnace; and mind to get it well baked, for this kind of earth differs from others, in that it should all be fired at one turn. Meantime, have your silver ready for casting, or I would say molten, and while this is in progress put your mould into a large receptacle filled with sand, which should be moist, not wet; & fix it in well as do the casters of artillery into their troughs, but with the greater delicacy that the handling of lighter metal requires. ”
Source: Gutenberg

Portrait of Carl E. Guthe Carl E. Guthe,  Pueblo pottery making: a study at the village of San Ildefonso (1925)

“ The firing of the vessels is not only the last major step in the making of pottery, but it is also the most critical one. The supreme test of the potter’s work is to subject it to the fire, for many forms of accident occur during the process, some of them due to careless handling of the vessels or of the firing materials, others to defective workmanship or to hidden flaws in the paste. It is only natural that the potters should exhibit considerable excitement and nervousness during the firing. ”
Source: Gutenberg

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