Gallery (underground)

“ At the opposite end of the palace is situated the picture gallery, which opens into another garden department, with hornbeam hedges, and numerous box edging scrolls; but this piece of ground is evidently not much attended to: the walks, flowers, borders, are not in good order. The collection of paintings, however, in the gallery will infinitely repay the visitor for the disappointment he may experience in the badly kept garden. This gallery is two hundred and fifty-two feet long, and thirty-six feet wide; the dome and cove ceiling are richly gilt, the floor and walls inlaid with marble. ”

“ This is almost the only center of light in the place, though it is possible to see that there is some kind of a lamp beyond the half-open door of a windowless hut which is dimly perceived at the back of the gallery. Also, above the foot-bridge, there is a flue in the ceiling, and through this flows downward a faint, pale light, almost imperceptible, like the dimmest twilight. At the back of the gallery, arched openings on either side lead to passages of impenetrable blackness. ”

“ The ascent to the picture gallery tends to produce a flutter of excitement and expectation. Magnificent staircases, dim perspectives of frescoes and carvings, the glorious hall of Apollo, rooms with mosaic pavements, antique vases, countless spoils of art, dazzle the eye of the neophyte, and prepare the mind for some grand enchantment. Then opens on one the grand hall of paintings arranged by schools, the works of each artist by themselves, a wilderness of gorgeous growths. ”

“ On the side of the room where there are no windows is a private winding staircase by which the servants bring up the requisites for a meal. At the end of the gallery is a bed-chamber, and the gallery itself affords as pleasant a prospect therefrom as the vineyards. Underneath runs a sort of subterranean gallery, which in summer time remains perfectly cool, and as it has sufficient air within it, it neither admits any from without nor needs any. ”

“ George left her entirely at liberty every time to decide the question just as she pleased; and she always finally concluded to go on.
Thus they continued to ascend for more than a hundred feet above the stone gallery; and at length they came out upon another outside gallery, which is formed around the top of the dome, at the foot of what is called the lantern. You [Pg 137] can see the place of this gallery in the engraving; though it is so high that the gallery itself, though surrounded by a massive balustrade, can scarcely be discerned. A person standing there would be wholly invisible. ”

“ But during the day the long gallery is frequented by many occupants, and much laughter in no wise sinister or saturnine resounds there. When summer lies hot over the land, those occupants lounge in the deep window seats, and when winter spreads his icy fingers and blows shrilly between his frozen palms, congregate round the fireplace at the far end, and perch, in companies of cheerful chatterers, upon sofa and chair, and chair-back and floor. ”

“ In the façade, the old German style prevails: arches of brick, resting upon short granite columns, support a gallery with ogive-windows. A row of blazons, inclined from right to left, bring out their brilliant color against the blackish tint of the wall. It would be difficult to form an idea of the character and richness of this ornamentation.
This gallery leads into the main building, a structure than which no scene-painter, seeking a medieval decoration for an opera, ever invented anything more picturesque and singular. ”

“ Behind and above the gallery that surmounts the three fireplaces are high Gothic windows, the tracery of which masks, in some sort, the chimneys; and in each angle of this and of the room to the right and left of the trio of chimneys is an open-work spiral staircase, ascending to—I forget where; perhaps to the roof of the edifice. The whole side of the salle is very lordly, and seems to express an unstinted hospitality, to extend the friendliest of all invitations, to bid the whole world come and get warm. ”

“ You drive through a valley, between high pine-covered mountains that seem remote from human habitation—when suddenly in a scoop-out in the valley you see a large, low, strange wooden building round three sides of a square, half Chinese, half American-looking, with galleries, and domes, and sheds—the whole of unpainted wood. Under the projecting roof of the gallery stood a lady in a purple silk dress, plaiting straw, and various other figures in shawls, and caps, and flowered bonnets, some looking very fine, others deadly sick—all curious to see the new-comers. ”

“ The Orangery in the Tuileries Gardens, where the bazaar was being held, had been sumptuously decorated for the occasion. Crimson velvet hangings with fringes of gold concealed the walls, and transformed the huge bare gallery into a lofty gala hall. Towards one end on the left, large curtains, also of crimson velvet, were stretched across the gallery, cutting off a portion of it. ”

“ From the vaulted roof, from the galleries, from the dome itself, are hung hundreds of gigantic chandeliers, each having concentric rings of lighted lamps, suspended a few feet above the heads of the worshipers. Seen from the great height of the gallery, these thousands of lights do not dazzle nor hide the multitude below, which seems too great to be hidden, as the heavens are not hid by the stars ”

“ A gallery of art is a perpetual feast of the most intense and refined enjoyment to every one capable of entering into its phases of thought and execution, analyzing its external and internal being, and tracing the mysterious transformations of spirit into form. ”

“ So that all art consists in this commerce, every soul being an artist and every brain that is worth talking about being an art gallery, and there is no gallery in this world, not in the Vatican or the Louvre or any other place, comparable with the gallery in every great brain. The millions of pictures that are in every brain to-night; the landscapes, the faces, the groups, the millions of millions of millions of things that are now living here in every brain, all unseen, all invisible forever! ”

“ The gallery is paved throughout with smooth and well-fitted stones. Parts of the building are in ruins; and, in proceeding from it, masses of other ruins are seen; which lead to the conclusion that they are the remains of edifices once connected with it.
Passing on a short distance, in a southerly direction, through a small valley, another building is entered by a flight of steps leading [121] to a gallery and a saloon, similar to those we have noticed in the other edifices. ”

“ Usually, as at London, Hedingham, and Newcastle, the uppermost gallery runs quite round the building, communicating with each window without entering the great room. At one angle a spiral stair rises from the base to the summit, and opens into each floor and gallery. ”

“ The windows of these rooms, furthermore, look out on to the garden; they are human, habitable little rooms, reassuring after the pomp of the Ball-room and the galleries. In the sitting-room there is a small portrait of the prim lady, Lady Betty Germaine, sitting very stiff in a blue brocaded dress; she looks as though she had been a martinet in a tight, narrow way.
The gallery leading to these rooms is called the Brown Gallery. It is well named—oak floor, oak walls, and barrelled ceiling, criss-crossed with oak slats in a pattern something like cat’s cradle. ”

“ The interior is much more successful. Nothing can be more magnificent and gravely gorgeous than the Chamber of Peers,—a large oblong hall, panelled with oak, elaborately carved, to the height of perhaps twenty feet. Then the balustrade of the gallery runs around the hall, and above the gallery are six arched windows on each side, richly painted with historic subjects. The roof is ornamented and gilded, and everywhere throughout there is embellishment of color and carving on the broadest scale, and, at the same time, most minute and elaborate; statues of full size in niches aloft ”

“ When he entertained it was in a vast drawing- room, palatially equipped, its walls hung with flowing masses of pale red velvet, embroidered with foliage flowers and butterflies, and set with crystals and precious stones.
It was his art gallery, however, which flattered him most. He knew nothing of art, and underneath his pretentions cared less, for he was a complete utilitarian; but it had become fashionable to have an elaborate art gallery, and he forthwith disbursed money right and left to assemble an aggregation of paintings. ”

“ The first or lower tier of these girders, in parts of the building more than one storey in height, forms the support for the floor of the galleries, which are twenty-four feet wide, and extend the whole length of the building in four parallel lines, intercepted only by the transept, round the ends of which they are continued. Numerous cross galleries connect each pair of longitudinal lines on either side of the centre avenue, which remains uninterrupted from end to end, and can only be crossed on the gallery-floor at the extremities. ”

“ Then comes the long gallery, running the whole width of the building, stored with curiosities, where we used to run races and play hide-and-seek with the children of the house in bygone days, and tremble when evening came on lest some bogie from his lurking-place should spring out upon us. ”

“ The gallery is long and narrow and dark, and set with iron gates, iron-bound chests, locks, bolts and bars, fantastic great keys, lamps, and the like, and over the balustrade one may lean and talk of one's finer feelings and regard Michael Angelo's horned Moses, or Trajan's Column (in plaster) rising gigantic out of the hall below and far above the level of the gallery. And here on a Wednesday afternoon were Lewisham and Miss Heydinger, the Wednesday afternoon immediately following that paper upon Socialism that you saw announced on the notice board in the hall. ”

“ The sophisticated, almost exotic, color of the walls, emphasizing in the work of some all that is crude and materialistic in execution or interpretation, makes their work appear to less advantage than would the usual bleak gallery. And why so many pictures? Why not one picture in each space and that the best each artist could offer? How much more satisfactory the room would then be. Anyone who follows exhibitions will agree that each exhibitor has shown better work at other times. ”

“ The utmost luxury of ornament has been lavished on the walls and ceilings, some in painting, some in relief; but in each, the subjects and ornaments are appropriate to the situation, and as each gallery has been originally adapted to its destination, every where the effect to be produced has been judiciously studied. The light is not too great, nor too generally diffused—it is poured in from high semicircular windows on one side only, so as to throw the sculpture into beautiful relief. ”

“ Let us follow the gaze of the half-dozen persons grouped in front of the tapestry hanging in the northern gallery, and see.
But first, of whom is this small and mystic group composed? Who are these men who in the middle of the night, in the security of a completely shuttered building, busy themselves, not with the inestimable treasures surrounding them, but with an odd and seemingly mountebank adventure totally out of keeping with the place and their absorbed demeanor? ”

“ All stir has ceased for some time, for every gallery has long ago been packed. We may sit, now, and look and think at our leisure. We have glimpses, here and there and yonder, through the dim cathedral twilight, of portions of many galleries and balconies, wedged full with other people, the other portions of these galleries and balconies being cut off from sight by intervening pillars and architectural projections. ”

“ Of what avail is it, that curtains of the richest damask keep out the too intrusive sunlight, or that carpets of the finest texture cover the floors, since the shutters are always closed, and the magnificent parlors rarely echo the steps of a visitor? Of what avail is the gallery of really exquisite paintings, selected at an immense cost from European collections? Hidden from the curious eye, lest perchance some harm might come to them, never looked upon by the possessor, they might as well be buried under ground, so far as concerns the actual enjoyment derived from them. ”

“ The gallery is lighted as no London gallery is; the ceiling and walls are washed with old gold, which takes all the hardness from the spaces of sunshine playing through the roof. Mrs. Watts, I believe, added this charm to the gallery. Others besides critics owe her gratitude. Outside the gallery stand rows of pottery, the work of her pupils. Urns, vases, basins, cups, pedestals, fountains await translation to flower gardens. The birds of many Surrey lawns owe a debt to Compton for wide splash-baths of water to bathe in and drink at in the heats of summer. ”

“ Here one passes from room to room without the intervention of corridors, and the temptation to go on and see just a little more is enhanced by the variety in the shape of the rooms and by the material displayed. On the other hand nothing is so wearisome as the long gallery in the Louvre, where one passes some of the most remarkable paintings the world has ever known but is too wearied by the oppression of their nearness and the interminable length of the space that must be covered to be able to enjoy them. ”

“ Doubtless there are many who join us in the wish that not only every large, but every small city might have its gallery of reproductions as well as its public library—a gallery in which children could grow up familiar with the noblest productions of Greece and Italy, in which the laborer could pass some of his holiday hours, and in which the mechanic could find the stimulus to make his own work beautiful as well as good. ”