Music school

Definition and stakes

Portrait of Walter Damrosch Walter Damrosch,  My Musical Life

“ One of my most important recommendations for the school was that every week at least one concert should be given by the professors and such of the bandsmen as were really competent musicians. The programmes should be made up only of the great master composers, in order that the students—many of whom had come from isolated communities in our country and had had but little opportunity to hear good music—should become sensitive to the finer and more spiritual qualities of music as an art. ”
Source: Gutenberg

Carl E. Seashore,  Why We Love Music (1941)

“ At the college level music is presented as an academic subject, with primary emphasis upon the art of hearing music together with some knowledge of history and content of music. The training of high-school teachers of music has changed radically in a generation from the mere development of proficiency with an instrument or voice to a deeper insight into the nature of the art, its history, and its roles. At many levels well-developed courses in music appreciation have acquired a permanent status and have proved a good foundation for further penetration into the art of the appreciation of music. ”
Source: Gutenberg

Oskar Bie,  History of the pianoforte and pianoforte players (1899)

“ Of the rest half remain amateur, the other half go in to the teaching profession. The overcrowding may easily be imagined. The largest music-school in the world, the English “Guildhall School” of Music, had till lately 140 professors, 42 teaching-rooms, 2700 students; and will shortly be enlarged till it has 69 rooms and 5000 students. I have made special inquiries at the Berlin Conservatorium of Klindworth and Scharwenka. My numbers are I think exact to a few figures. In 1895-6, out of 387 students, 41 men and 208 women took piano only; 8 men and 15 women took piano with some other subject. ”
Source: Gutenberg

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