Political caricature

Definition and stakes

Portrait of James Parton James Parton Caricature and Other Comic Art in All Times and Many Lands

England, as the French themselves admit, is the native home of political caricature; but not an instance can be named in all its history of caricature injuring a good man or defeating a good measure. A free pencil, too, becomes ever a gayer and a kinder pencil. The measure of freedom which France has occasionally enjoyed during the last ninety years has never lasted long enough to wear off the keen point of the satirist's ridicule; and collectors can tell, by the number and severity of the pictures in a port-folio, just how much freedom Frenchmen possessed when they were produced.
Source: Gutenberg

Frederic Taber Cooper The History of the Nineteenth Century in Caricature

Down to the last quarter of the nineteenth century, the history of American political caricature is a history of lost opportunities. Revolution and war have always been the great harvest times of the cartoonist. Gillray and Rowlandson owe their fame to the Napoleonic wars; Philipon and Daumier, to the overthrow of Louis Philippe; Leech and Tenniel reached their zenith in the days of the Crimean War and the Sepoy Mutiny. It is not the election cartoon, or the tariff cartoon, or the cartoon of local politics, it is the war cartoon that is most widely hailed and longest remembered.
Source: Gutenberg

Frederic Taber Cooper The History of the Nineteenth Century in Caricature

While the impulse to satirize public men in picture is probably as old as satiric verse, if not older, the political cartoon, as an effective agent in molding public opinion, is essentially a product of modern conditions and methods. As with the campaign song, its success depends upon its timeliness, upon the ability to seize upon a critical moment, a burning question of the hour, and anticipate the outcome while public excitement is still at a white heat.
Source: Gutenberg

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