Charles Fergus Binns,
The Potter's Craft: A Practical Guide for the Studio and Workshop
“ Much of the glamour of the potter's art is associated with the wheel. Poets have sung its praise and artists have delighted in its rhythmic motion, but alas! the wheel as a commercial method of manufacture is doomed to extinction. It cannot compete with the precision and speed of machinery. It devolves, therefore, upon the artist potter to maintain the wheel in its rightful place as, par excellence, the potter's tool.No clay worker's studio should be without a wheel, but the particular form of wheel depends upon the nature of the circumstances under which it is to be employed. ”
