Religious music

Definition and stakes

Various,  The Catholic World, Vol. 13, April to September…

“ But the Christian people had a better inspiration. They understood that music, and, above all, religious music—the most beautiful of all, whose highest aim is to free us from the senses and lift us out of ourselves, in order to raise us to God—might well be protected by this young girl, whose soul had become like a lyre, from which the faintest breath will wake harmonious vibrations, and who, virgin and martyr—while for three days she lay on the bloody flags, seemed in a long song of love to render back her spirit. ”
Source: Gutenberg

Various,  The Catholic World, Vol. 05, April 1867 to September 1867

“ Over the kneeling worshippers, the illuminated altar, the pictures of the crucifixion and the ascension, the intonation of the priest, "the dim religious light" shining through the stained windows, Music breathes her voice. {552} As the great organ swells, and the deep-toned choir utters the despair of the Miserere, the heavenly beauty of the Agnus Dei, the exultation of the Gloria, the devotion of the Credo, etc., what soul is not bowed in sympathy with grief, raised with gratitude, or bathed in heavenly peace? I know no music that has a more profound effect. It is a part of worship. ”
Source: Gutenberg

Edward Dickinson,  Music in the History of the Western Church

“ Perhaps the chief difficulty in the way of a high artistic development of religious music is the opinion, which prevails widely among the most devout, that music when allied to worship must forego what seems the natural right of all art to produce pleasure as an end in itself, and that it must subordinate itself to the sacred text and employ its persuasive powers solely to enforce divine truth upon the heart,—meaning by divine truth some particular form of religious confession. ”
Source: Gutenberg

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