“ He got up to his knees and followed her glance. It was still quite dark, but in the growing light he saw a movement in the branches of a tree near by and presently made out a pair of legs, dangling above the top of the wall. "It's a man," whispered Madame Rochal, "coming over. What----?"Rowland slowly got to his feet and stood, his hand in warning on the arm of Madame Rochal, waiting until the man should descend. The gray figure hovered for a moment on the top of the wall and then they heard the thud of his boots as he reached the ground. ”
Quotes about “rorqual”
Sax Rohmer,
Tales of Chinatown
“ The tender one had fallen, there at the foot of the joss, and Kwen Lung, his teeth gleaming—like a rat—like a devil—turns to meet him. So he is when her man strike him, once. Just once, here.” She rested her hand upon her heart. “And he falls—and he coughs. He lie still. For him it is finished. That devil heart has ceased to beat. Ah!” She threw up her hands, and: “That is all. I tell you no more.” “One thing more,” said Harley sternly; “the name of the man who killed Kwen Lung?” At that Ma Lorenzo slowly raised her head and folded her arms across her bosom. ”
“ But it was too late. Even as the physician turned to intercept his daughter, she crossed the threshold of the study. She stopped short at perceiving Exel; then, with a woman's unerring intuition, divined a tragedy, and, in the instant of divination, sought for, and found, the hub of the tragic wheel. One swift glance she cast at the fur-clad form, prostrate. The chafing-dish fell from her hand, and the omelette rolled, a grotesque mass, upon the carpet. She swayed, dizzily, raising one hand to her brow, but had recovered herself even as Leroux sprang forward to support her. ”
Sax Rohmer,
The Sins of Séverac Bablon
“ Rohscheimer turned, stealthily, in his chair. The cigarette dropped from between his nerveless fingers, and lay smouldering upon the Persian carpet.His bulging eyes grew more and more prominent, and his adipose jaw dropped. And he sat, quivering fatly, his gaze upon the doors of the big wardrobe which occupied the space between the windows. Distinctly he remembered that these doors had been closed. But now they were open.Palsied with fear of what might be within, he sat, watched, and grew pale.The doors were opening slowly!No move he made toward defence. He was a man inert from panic. ”
Sax Rohmer,
The Yellow Claw
(1915, 1920)
“ But already the police boat was away. “Let her go!” shouted Rogers—“close inshore! Keep a sharp lookout for a cutter, boys!” Stringer, aroused now to excitement, went blundering forward through the fog, joining the men in the bows. Four pairs of eyes were peering through the mist, the damnable, yellow mist that veiled all things. “Curse the fog!” said Stringer; “it’s just our damn luck!” “Cutter ’hoy!” bawled a man at his side suddenly, one of the river police more used to the mists of the Thames. “Cutter on the port bow, sir!” ”
Sax Rohmer,
The Yellow Claw
(1915, 1920)
“ He drew himself upright, breathing very rapidly, and looked through into the room—the room which he had occupied, and from which a moment ago the murderous yellow hand had protruded. That room was empty...empty as he had left it! “Mille tonneres! he has escaped me!” he cried aloud, and the words did not seem of his own choosing. Who had escaped? Someone—man or woman; rather some thing, which, yellow handed, had sought to murder him! Max ran across to the second trap and looked down at the woman whom he knew, beyond doubt, to be Mrs. Leroux. She lay in her death-like trance, unmoved. ”
Sax Rohmer,
The Insidious Dr. Fu Manchu
(1913)
“ The peace of the world is at stake, Mr. Eltham. Unknowingly, you tamper with tremendous issues."Mr. Eltham drew a deep breath, thrusting both hands in his pockets."You are painfully frank, Mr. Smith," he said; "but I like you for it. I will reconsider my position and talk this matter over again with you to-morrow."Thus, then, the storm blew over. Yet I had never experienced such an overwhelming sense of imminent peril—of a sinister presence—as oppressed me at that moment. The very atmosphere of Redmoat was impregnated with Eastern devilry; it loaded the air like some evil perfume. ”
Sax Rohmer,
The Insidious Dr. Fu Manchu
(1913)
“ I knocked on the wall and woke father. There was nothing; so I said it was the howling of the dog that had frightened me.""How could anyone get into his room?""I cannot imagine. But I am not sure it was a man.""Miss Eltham, you alarm me. What do you suspect?""You must think me hysterical and silly, but whilst father and I have been away from Redmoat perhaps the usual precautions have been neglected. Is there any creature, any large creature, which could climb up the wall to the window? Do you know of anything with a long, thin body?" ”
by Alexandre Dumas, Twenty Years After — Chapter 3… (1845)
“ I am a straightforward, simple man; that's my great disadvantage. I am of a frankness of character quite French."Rochefort bit his lips in order to prevent a smile."Now to the point. I want friends; I want faithful servants. When I say I want, I mean the queen wants them. I do nothing without her commands -- pray understand that; not like Monsieur de Richelieu, who went on just as he pleased. So I shall never be a great man, as he was, but to compensate for that, I shall be a good man, Monsieur de Rochefort, and I hope to prove it to you." ”
F. Anstey,
Lyre and Lancet: A Story in Scenes
“ Lady Culverin (to herself) . Can Rohesia have known this? What possible object could she have had in—— And oh, dear, how disgusted Rupert will be!Sir Rupert (to himself) . Seems a decent young chap enough! Too bad of Rohesia to let him in for this. I don't care a straw what he is—he's none the worse for not being a poet.Lady Cantire (to herself) . What is he maundering about? It's utterly inconceivable that I should have made any mistake. It's only too clear what the cause is—Claret!Spurrell (aloud, good-humouredly) . ”
Sax Rohmer,
The Yellow Claw
(1915, 1920)
“ But the silence remained unbroken—and always his wild search brought him back to the accursed cave of the golden dragon. He began to grow dizzy; he felt that his brain was bursting. For somewhere—somewhere but a few yards removed from him—a woman was in extreme peril! Clutching dizzily at the pedestal of the dragon, he cried at the top of his voice:— “Miss Cumberly! For the good God’s sake answer me! Where are you?” “Here, M. Max!” he was answered; “the door on your right...and then to your right again—quick! quick! Saints! she has killed me!” It was Gianapolis who spoke! ”
Sax Rohmer,
The Yellow Claw
(1915, 1920)
“ Leroux, who had been standing, sank slowly back into the armchair, with his eyes upon Dr. Cumberly as the latter replied:— “He said ‘Cumberly! Cumberly! For God’s sake, come down at once; there is a strange woman in my flat, apparently in a dying condition!’” “What did you do?” “I ran into my bedroom and slipped on my dressing-gown, leaving Mr. Leroux in the entrance-hall. Then, with the clock chiming the last stroke of midnight, we came out together and I closed my door behind me. There was no light on the stair; but our conversation—Mr. Leroux was speaking in a very high-pitched voice”... ”
George Cupples, The Green Hand: Adventures of a Naval Lieutenant
“ D'ye suppose one thinks the less of a man for having a heart to be sick in, as well as a stomach—eh?' 'Oh, don't speak of it, Mr Rollock!' said one. 'Come, come, old boy,' said another, with a white moustache on his lip, ''twon't do for you to go the sentimental, you know.' 'Capsize my main-spanker, 'tis too funny, though,' put in a fellow who wore a glazed hat on deck, and put down all the ropes with numbers on paper, as soon as he had done being sick. The planter leant back in his chair, looked at them coolly, and burst out a-laughing. ”
H. De Vere Stacpoole,
The Presentation
“ It was a prospect to be met by the unthinking end of man if one wished for any chance of success, so with a warning to Ferminard not to look before he came, and having wedged two pillows under the rope where it rested on the sill, Rochefort got one leg over the sill, straddled it, got the other leg out and then turned on his face. ”
Robert H. Rohrer, Pattern (1962)
“ Rahll floated, a dim pattern of electrical impulse in the void of space. He was vaguely aware that he was dying into nothingness, and that in a short time he would be a meaningless mass of aimless patterning, with no consciousness and no unity. But there was nothing that could be done about it; his flexible impulse had woven itself into millions upon millions of varying thought-forms, and no solution to his situation had presented itself. ”
by Alexandre Dumas, Twenty Years After — Chapter 3… (1845)
“ His devotion to the queen was boundless; men of loyalty are scarce.""I think so, forsooth," said Rochefort, "and when you find any of them, you march them off to the Bastile. However, there are plenty in the world, but you don't look in the right direction for them, my lord.""Indeed! explain to me. Ah! my dear Monsieur de Rochefort, how much you must have learned during your intimacy with the late cardinal! Ah! he was a great man.""Will your eminence be angry if I read you a lesson?""I! never! you know you may say anything to me. I try to be beloved, not feared." ”
H. Noel Williams, A Gallant of Lorraine; vol. 2 of 2
“ Standing on the mole, in the centre of the great scene, the Cardinal calmly contemplated the coming of the enemy; while on the ramparts of the beleaguered town the famished citizens awaited in silence the issue of the battle which was to decide their fate.Alas for the unhappy Rochellois! The sufferings which they had endured with such heroic fortitude were all in vain. The officers and crews of Lindsey’s fleet were no more ready to follow him into danger than those of Denbigh’s had been to follow their commander in the spring. ”
Sax Rohmer,
The Yellow Claw
(1915, 1920)
“ John Exel, M. P., occupant of the flat below, who at that very moment had returned from the House and was about to insert the key in the lock of his door. He looked up the stairway, but, all being in darkness, was unable to detect anything. Therefore he called out:— “Is that you, Leroux? Is anything the matter?” “Matter, Exel!” cried Leroux; “there’s a devil of a business! For mercy’s sake, come up!” His curiosity greatly excited, Mr. Exel mounted the stairs, entering the lobby of Leroux’s flat immediately behind the owner and Dr. Cumberly—who, like Leroux, was arrayed in a dressing-gown ”
Various, Punch or the London Charivari, Vol…
“ But, my dear Rohesia, you must allow that, whatever his talents may be, he is not—well, not quite one of Us. Now, is he?Lady Cant. (blandly) . My dear, I never heard he had any connection with the manufacture of chemical manures, in which your worthy Papa so greatly distinguished himself—if that is what you mean.Lady Culv. (with some increase of colour) . That is not what I meant, Rohesia—as you know perfectly well. And I do say that this Mr. Spurrell's manner is most objectionable; when he's not obsequious, he's horribly familiar! ”
Various, Punch, or the London Charivari…
“ Surely it is wise and prudent to conciliate the clever young men who might inflame the masses against us. Rohesia thinks so; she says it may be our only chance of stemming the rising tide of Revolution, Rupert!Sir Rup. Oh, if Rohesia thinks a revolution can be stemmed by asking a few poets down from Saturday to Monday, she might do her share of the stemming at all events.Lady Culv. But you will be nice to him, Rupert, won't you?Sir Rup. I don't know that I'm in the habit of being uncivil to any guest of yours in this house, my dear, but I'll be hanged if I grovel to him, you know ”
Sax Rohmer,
The Yellow Claw
(1915, 1920)
“ Cumberly—“Leroux is perfectly well aware that you intended nothing unkindly. But the poor chap, quite naturally, is distraught at the moment. You must understand that, man!” “I understand; and I am sorry,” said Exel, casting a sidelong glance at the body. “Of course, it is a delicate subject. No doubt Leroux can explain.”... “Damn your explanation!” shrieked Leroux hysterically. “I cannot explain! If I could explain, I”... “Leroux!” said Cumberly, placing his arm paternally about the shaking man—“you are such a nervous subject. Do make an effort, old fellow. Pull yourself together. ”
Sax Rohmer,
The Hand of Fu-Manchu
“ Like a wild cat Zarmi hurled herself past me and leapt into the boat. One glimpse I had of her pallidly dusky face, of her blazing black eyes, and the boat was thrust off into the waterway ... was swallowed up in the mist.I turned, dizzily, to see Fletcher sinking to his knees, one hand clutching his breast."She got me ... with the knife," he whispered. "But ... don't worry ... look to yourself, and ...him...."He pointed, weakly—then collapsed at my feet. I threw myself upon the wooden chest with a fierce, sobbing cry."Smith, Smith!" ”
Sax Rohmer,
The Return of Dr. Fu-Manchu
“ Ahead of us a flying shape, hair lank and glistening in the downpour, followed a faint path skirting that green tongue of morass which we had noted from the upland. It was Kegan Van Roon. He glanced over his shoulder, showing a yellow, terror-stricken face. We were gaining upon him. Darkness fell, and the thunder cracked and boomed as though the very moor were splitting about us. “Another fifty yards, Petrie,” breathed Nayland Smith, “and after that it’s unchartered ground.” On we went through the rain and the darkness; then: “Slow up! slow up!” cried Smith. “It feels soft!” ”
Sax Rohmer,
The Yellow Claw
(1915, 1920)
“ In, out of the darkness—for the stair lights had been extinguished—staggered a woman; a woman whose pale face exhibited, despite the ravages of sorrow or illness, signs of quite unusual beauty. Her eyes were wide opened, and terror-stricken, the pupils contracted almost to vanishing point. She wore a magnificent cloak of civet fur wrapped tightly about her, and, as Leroux opened the door, she tottered past him into the lobby, glancing back over her shoulder. ”
Sax Rohmer,
The Yellow Claw
(1915, 1920)
“ The Nore Light lay astern; they were drenched with spray. Now green water began to spout over the nose of the laboring craft. “I’ve only enough juice to run us back to Tilbury, sir, if we put about now!” came the shouted report. “It’s easy to talk!” roared Rogers. “If one of these big ’uns gets us broadside on, our number’s up!”... “Cutter putting over for Sheppey coast, sir!” bellowed the man in the bows. Stringer raised himself, weakly, and sought to peer through the driving spray and rain-mist. “By God! They’ve turned—turtle!”... “Stand by with belts!” bellowed Rogers. ”
Various, Punch, or the London Charivari…
“ I'm sure I don't, Rupert—at least, no more than everybody else. Dear Rohesia is so strong-minded and advanced and all that, she takes such an interest in all the new movements and things, that she can't understand contradiction; she is so democratic in her ideas, don't you know. ”
Sax Rohmer,
The Yellow Claw
(1915, 1920)
“ He had gray hair retiring above a high brow, but worn long and untidily at the back; a wire-like straight-cut mustache, also streaked with gray, which served to accentuate the grimness of his mouth and slightly undershot jaw. A massive head, with tawny, leonine eyes; indeed, altogether a leonine face, and a frame indicative of tremendous nervous energy. In the entrance lobby he stood for a moment. “My name is Cumberly,” said the doctor, glancing at the card which the Scotland Yard man had proffered. “I occupy the flat above.” ”
Robert H. Rohrer, Pattern (1962)
“ He stopped his reforming process and, summoning all the power he could, glided toward the impulse.When he did this, the impulse became definitely stronger; slowly his delicate, crystalloid form became more and more conscious of it; its power rose and rose, until it reached an almost unbearable intensity.Waves of hunger beat against Rahll, as they had for centuries; but here, here at last, was satisfaction. His jagged cannibal's pattern roused itself, waiting for the new impulse to come within striking distance. And then.... ”
