Tin horn

“ The section of a horn represents more an oval than a cylinder. The general colour of the horns is of a semi-transparent green, except the tips, which are jet black for about six inches, and the bases, which are very rough, irregular, gnarled, ringed, and rugged, and also black in colour. The horns gradually taper to a very sharp point ”

“ Soft horn differs from hard horn in that its horn-cells never become hard and horn-like. It is very elastic, absorbs water quickly, and as readily dries out and becomes very hard and brittle and easily fissured and chapped. ”

“ The horns are lagest at their base, and occupy the crown of the head almost entirely. they are compressed, bent backwards and lunated; the surface swelling into wavy rings which incircleing the horn continue to succeed each other from the base to the extremity and becoming less elivated and more distant as they recede from the head. ”

“ The Horn and Cornett.
The horn takes its name from the cow’s horn, out of which the instrument was made. The resemblance includes the tapering bore of this instrument, and also the fact that it is curved. [90] In the metal p. 91instruments, made in imitation of the natural horn, we find a curvature of about a semi-circle, as in the seventeenth century hunting horn (Galpin, p. 188) . While in the horn of the early seventeenth century shown on the same plate, the tube is curved into many circular coils. ”

“ At the beginning of the Christian era it had become fashionable to wear these, and how they were enlarged and made not only badges of sanctity but marks of worldly honor, we may read in the New Testament.
The horn has been an important feature of Christian symbolism, as of pagan, and we constantly see the ram's horn, which was the successor of the bull's horn, made such from economical reasons, all over the ruins of ancient Rome. The married women of Lebanon wear silver horns upon their heads to distinguish them from the single women. ”

“ The word “horn” when used by modern English musicians always refers to the French horn.
Modern horns may be divided into three classes: (1) the short horns with wide bore, such as the bugles (q.v.) and the post-horn. (2) The saxhorns (q.v.) , a family of hybrid instruments designed by Adolphe Sax, and resulting from the adaptation of valves and of a cup-shaped mouthpiece to instruments of the calibre of the bugle. The Flügelhorn family is the German equivalent of the saxhorns. The natural scale of instruments of this class comprises the harmonics from the second to the eighth only. ”

“ The origin of the horn must be sought in remote prehistoric times, when, by breaking off the tip of a short animal horn, one or at best two notes, powerful, rough, unsteady, only barely approximating to definite musical sounds, were obtained. This was undoubtedly the archetype of the History. modern families of brass wind instruments, and from it evolved the trumpet, the bugle and the tuba no less than the horn. ”

“ In the country the horn is not so good for attracting attention as a loud gong. The horn is mistaken for dinner-horns and distant sounds of farmyard life. One may travel for some distance behind a wagon-load of people, trying to attract their attention with blasts on the horn, and see them casually look from side to side to see whence the sound proceeds, apparently without suspecting it could come from the highway. ”

“ In order to render the horn soft enough to cut, it must be soaked in boiling water. While still soft, a groove can be cut on the inside about a quarter or half an inch from the bottom. Into this fit a circular piece of metal or horn. A little ingenuity will enable one to fit on brass mountings at top and bottom. These mountings can be rendered still further ornamental by either chasing or repoussée work. In their original shape or slightly flattened horns, can be ornamented in various ways, and utilized for holding flowers, grasses, or made into bonbonnières, or simply hang up as ornaments. ”

“ The touching-pieces (tousches) or proofs (espreuves) employed for the purpose, and considered especially efficacious against poison, were toadstones, glossopetræ, serpentine, jasper, agate and particularly the unicorn's horn. What was foisted upon the credulous public as the horn of the fabled animal was in reality the horn or tusk of a fish—the narwhal or sea-unicorn of the northern seas. Being an object of very great value, the horn was only occasionally kept entire, like the one preserved to this day at New College, Oxford. ”

“ His horns grow and form their prongs, when growing we call them in their velvet; feel of them and they are soft, through the summer and fall, and they keep growing until they form a perfect horn, hard as a bone. By the prongs we are able to tell the number of years old they are.
In the fall of the year when an old buck has his horns fully grown to see him running in his native forest is a beautiful sight. ”

“ The horn of the fabulous unicorn, in reality none other than that of the rhinoceros, is much valued as an amulet, and in west Africa, where the horns of wild animals are greatly esteemed as fiend-scarers, a large horn filled with mud and having three small horns attached to its lower end is used as a safeguard to prevent slaves from running away. ”

“ He that hath horns thus let him learn to shed.
1663. Killigrew, The Parson’s Wedding, iv., 1 (Dodsley, Old Plays, 4th ed., 1875, xiv., 473) . I hope to exalt the Parson’s horn here. Ibid., (p. 477) . Only to fright the poor cuckholds and make the fools visit their horns. Ibid., v., 4 (p. 519) . Methinks my horns ache more than my corns. Ibid. ib. (p. 520) . I have seen a cuckold of your complexion: if he had lent as much hoof as horn, you might have hunted the beast by the slot.
1664. Butler, Hudibras, II., ii. For when men by their wives are cowed, Their horns of course are understood. ”

“ The hunting- and post-horns were favourite emblems on medieval coats of arms, more especially in Germany33 and Bohemia.
It is necessary at this point to draw attention to the fact that the French horn is a hybrid having affinities with both trumpet and primitive animal horn, or with buccina and cornu, and that both types, although frequently misnamed and confused by medieval writers and miniaturists, subsisted side by side, evolving independently until they merged in the so-called French horn. ”

“ It is believed by many that, when the animal is at rest, the horns are soft and pliable, but that, when on the move, they at once become hard and solid. Moreover, that it can, at will, turn the posterior horn, the other horn meanwhile remaining firm and erect ”

“ The common characteristics which link together these widely different modern families of instruments are: (1) the more or less pronounced conical bore, and (2) the property possessed in a greater or lesser degree of producing the natural sounds by what has been termed overblowing the harmonic overtones. If we follow the evolution of the animal horn throughout the centuries, the ultimate development leads us not to the French horn but to the bugle and tuba. ”

“ A second horn on the other side of the jaw is not uncommon, but it is always shorter, and is often malformed or rudimentary. The horns vary in length up to eight feet, and are composed of a very fine quality of ivory. ”

“ A zone of active growth at the base of the horn keeps adding to this sheath, ring by ring, and the specific form of this annular zone is, accordingly, that of the “generating curve” of the horn. Each horn no longer lies, as it does in the rhinoceros, in the plane of symmetry of the animal of which it forms a part; and the limited field of force concerned in the genesis and growth of the horn is bound, accordingly, to be more or less laterally asymmetrical. But the two horns are in symmetry one with another; they form “conjugate” spirals, one being the “mirror-image” of the other. ”

“ Scand. and Ger. horn, Gael. and W. corn, L. cornu, Gr. keras.]
Hornblende, horn′blend, n. a mineral of various colours, found in granite and other igneous rocks that contain quartz. [Ger. horn, horn, and -blende—blenden, to dazzle.]
Hornet, horn′et, n. a species of wasp, so called from its antennæ or horns: a person who pesters with petty but ceaseless attacks.—Bring a hornet's nest about one's ears, to stir up enemies and enmities against one's self. [A.S. hyrnet, dim. of horn.]
Hornito, hor-nē′tō, n. a low oven-shaped fumarole, common in South American volcanic regions. ”

“ In all other animals the horns are hollow for a certain distance, and the end alone is solid, this being the part of use in a blow. At the same time, to prevent even the hollow part from being weak, the horn, though it grows out of the skin, has a solid piece from the bones fitted into its cavity. For this arrangement is not only that which makes the horns of the greatest service in fighting, but that which causes them to be as little of an impediment as possible in the other actions of life. ”

“ I sawed part way through the horn, then struck something soft and glittering. Think of it! That horn was a brown shell, a real horn; inside, it was solid virgin gold—and the horn was upon a rhinoceros!
Well, I investigated. I found that this horn-shell filled with gold had been set on a peg of the real horn, and cunningly pegged in place with ivory pegs. Thus it was evident that the animal had been a tame beast somewhere up-country. ”

“ The hunting horn finally adopted differs from the orchestral horn in consisting of an unbroken spiral of three turns, sufficiently large to be worn obliquely round the body, resting on one shoulder and passing under the opposite arm. The hands are thus left at liberty, and the mouthpiece can easily be brought to the lips by a single movement. ”

“ These plates of horn may be colored; and there are a great many 64 ‘tortoise-shell’ combs and other goods sold which are only horn with a bit of color sprinkled upon it.
“The solid tips of the horns, and all the pieces that are worth anything cut off in making the combs, are made up into horn jewelry, chains, cigar-holders, knife-handles, buttons, and toys of various kinds. These trinkets are generally colored more or less, and many a fashionable belle, I suppose, would be surprised to know the amount of money paid for odd bits of horn under higher sounding names. ”

“ The horns severed from the head preferably by sawing and cutting at a point beyond the meeting point of skull and horn, are thrown into a vat of water, held at a temperature of from 140° to 150° F. After soaking for ten or fifteen minutes they are taken out and by hammering the horn across some solid substance, or by laying it on a block and pounding it with a weight or mallet, the pith slips out. The piths are dried and used in the manufacture of glue. The horns should be stored in a room where there is ample outside air circulation and not too dry. Artificial heat will cause them to crack. ”

“ Art in horn work was practised more a century ago than it is to-day, the material being then a favourite one for drinking cups and a variety of ornamental work. Old snuff boxes were frequently made of horn impressed or stamped with beautiful designs, such as hunting scenes and mythological figures. Horn can either be cut, moulded, or turned, its natural elasticity making it very durable and difficult to break. ”

“ As for that species bearing the monstrous horns, of which I have often spoke in my narrative, their size is not to be estimated by that of their horns; the animal itself is not near so big as a common English cow; the growth of the horn is a disease which proves fatal to them, because encouraged for a peculiar purpose. Whether it would be otherwise curable, has not yet, I believe, been ever ascertained by experiment. ”

“ As the horn {613} occupies a median position on the head,—a position, that is to say, of symmetry in respect to the field of force on either side,—there is no tendency towards a lateral twist, and the horn accordingly develops as a plane logarithmic spiral. When two horns coexist, the hinder one is much the smaller of the two: which is as much as to say that the force, or rate, of growth diminishes as we pass backwards, just as it does within the limits of the single horn. ”

“ The horn is also said to be made out of the molar tooth of a dog or jackal, introduced through a small hole in a piece of jackal’s skin, round which a little blood or turmeric paste is smeared, to make it look more natural. In most cases only the horn, with a small piece of skull and skin, is sold. Sometimes, instead of the skin from the part where the horn is made, a piece of skin is taken from the snout, where the long black hairs are. ”

“ He is distinguished by his horn, which is supported on the end of the nose, but not connected with it, as it comes away with the hide, to which it and its broad base entirely belong."
"His horn is a powerful weapon, I believe?" said one of the boys.
"It is one of the most powerful weapons belonging to any animal," replied Doctor Bronson, "as it is more conveniently situated for use than the tusks of an elephant or the horns of a bull.
"With his horn he can kill an elephant, and frequently does it. ”

“ A great many useful articles are made from the solid or tip portion of horns, a great many useful and very beautiful articles, some of which are turned by the lathe, while others are cut. Whip-handles, stick and umbrella handles, and handles for knives and small tools, may be made from horn and afterwards scraped and polished. Goats’ and sheep’s horns are clearer and more transparent than those of the ox. ”