E. R. Murray

“ Picking feathery grasses, red-tipped daisies, sweet-smelling clover and golden dandelions; feeding snapdragons with fallen petals, finding what's o'clock by blowing dandelion fruits, paying for dock tea out of a fairy purse, shading poppy dolls with woodruff parasols, that is how a child enjoys the beauty of colour, scent and form. He gets not more but less beauty when he must sit in a class and answer formal questions. ”

“ Who would forbid the teacher’s making the effort to induce in his pupils a psychological condition like that of the adult worker, who is not oppressed by the shall and must in the pursuit of his calling, because the very exertion of his physical and mental powers in work, involving all his capabilities, fills his soul with joy? Since play thus approaches work, when pleasure in the activity as such, as well as its practical aim, becomes a motive power (as in the gymnastic games of adults) , so may work become like play, when its real aim is superseded by enjoyment of the activity itself. ”

“ They are curious about birth and death and all origins: thunder is terrifying, the sea is enthralling, the wind is mysterious, the sky is immense, and all suggest a power beyond: in this the children are reproducing the race experience as expressed in myths, when power was embodied in a god or goddess. Therefore the fairy world or the giant world, or the wood full of dwarfs and witches' houses, is as real to them, and as acceptable, as any part of life. It is their recognition of a world of spirits which later on mingles itself with the spiritual life of religion. ”

“ How has the child developed himself especially through the toys—the means of play and employment—which have thus far been given him? The brightening light in the child’s mind illuminates the objects around him. In proportion as the inner light increases, the nature of external objects grows clear to him ... the law of development is that of progress from the unlimited to the limited, from the whole to the part, from an undifferentiated to a membered totality ... the outer world comes to meet the inner world, it does not hinder, but helps the inner world. ”

“ Then there is the atmosphere of the home, the real reverence for higher things, if it exists, affects even a little child more than is usually supposed, but children are quick to distinguish reality from mere conventionality though the distinction is only half conscious. Reality impresses, while conventionality is apt to bore. Even to quite young children Froebel's ideal mother would begin to show God in nature. Some one put into the flowers the scent and colour that delight the child—some one whom he cannot see. ”

“ Surely it is another touch of genius that makes Froebel spring to the nascent idea of self as the reason for the child’s craving for tales of all kinds.
“Knowledge of a thing can never be attained by comparing it with itself. Therefore the boy cannot attain any knowledge of the nature and meaning of his own life, by comparing it with itself ... everybody knows that comparisons with somewhat remote objects are more effective than those with very near objects. Only the study of the life of others can furnish such points of comparison with the life he has himself experienced.... ”

“ We grant space and time to young plants and animals because we know that, in accordance with the laws that live in them, they will develop properly and grow well; arbitrary interference with their growth is avoided because it would hinder their development; but the young human being is looked upon as a piece of wax, a lump of clay, which man can mould into what he pleases. O man, who roamest through garden and field, through meadow and grove, why dost thou close thy mind to the silent teaching of nature? ”

“ What is the real aim of what we call Nature-lessons, Nature-teaching, Nature-work? It is surely to foster delight in beauty, so that our hearts shall leap up at sight of the rainbow until we die. For, indeed, if we lose that uplift of the heart, some part of us has died already. ”

“ Women’s work in education must be based not upon natural instinct, so often perverted or misunderstood, but upon intelligent knowledge.... Some mothers level the taunt at me that I, a man, understanding nothing of a mother’s instinct, should dare to presume to instruct mothers in their dealings with their own children.... How could such a thought enter my head as to attempt anything against the course of Nature? My whole strength is exerted on the contrary, to the work of getting the natural instinct and its tendencies more rightly understood, and more acknowledged ”

“ The force of the rain has washed out of the sand smooth bright pebbles, and the ever-observing child gathers them as building stones as it were, as material for future building. And is he wrong? Is he not in truth collecting material for his future life building? ”

“ But when he speaks of the infant, he slips into the mistake of saying that the infant, even though active, “amuses” itself. To the ordinary observer the whole life of a young child is play, but it would be as correct to say that it is all work.
Professor Stout, true to what he calls the tendency of the moderns to see in the little child what is writ large in the adult, allows “purely intellectual curiosity” on the part of the infant. We have no right to call an infant passive and therefore amused even when the mother shakes the rattle for his edification. ”

“ It is true that any one watching your teaching would observe a new spirit infused into it, expressing and fulfilling the child's own wants and desires. You would strike him as personally capable, but you would fail to strike him as priestess of the idea which God has now called to life within man's bosom, and of the struggle towards the realisation of that idea—education by development—the destined means of raising the whole human race.... No man can acquire fresh knowledge, even at a school, beyond the measure which his own stage of development fits him to receive.... ”

“ It is impossible to make plain how Froebel regarded play, until it is known how he regarded work, work, too, not only for a child but for a human being. What he desired for all was work which produces joy; he calls it “a debasing illusion that man works, produces, creates, only in order to preserve his body, only to secure food, clothing and shelter.” ”

“ The Infant School of Wilderspin, already briefly described, was almost a dead thing, with its galleries and its mechanical prodigies, its object-lessons and its theology; now it was breathed upon by the spirit of the man who said: "Play is the highest phase of child development, of human development at this period: for it is the spontaneous representation of the inner, from inner necessity and impulse." "Play is the purest, most spiritual activity of man." "The plays of childhood are the germinal leaves of all later life." ”

“ To tell a child that the Great Father is always grieved when we are unkind or cowardly, always ready to help us and to put kindness and bravery into our hearts, that we know He has power to do that if we will let Him, but that His power is beyond our understanding: to say that He is able to keep us in all danger, and that even if we are killed we are safe in His keeping, surely that is enough. He who blessed the children uttered strong words against him who caused the little ones to stumble. ”

“ How, then, can we provide for their experience of this side of life? We have tried to do so in the past by object and nature lessons, but we must admit that they are not the means by which young children seek to know life, or by which they appreciate its beauty. We have been trying to kill too many birds with one stone in our economic way; "to train the powers of observation," "to teach a child to express himself," "to help a child to gain useful knowledge about living things," have been the most usual aims. ”

“ As the child's sense of power and his self-consciousness deepen he requires possessions of his "very own." Says Froebel: "The feeling of his own power implies and demands also the possession of his own space and his own material belonging exclusively to him. Be his realm, his province, a corner of the house or courtyard, be it the space of a box or of a closet, be it a grotto, a hut or a garden, the boy at this age needs an external point, chosen and prepared by himself, to which he refers all his activity." ”

“ The way in which the trees and plants are chosen is most suggestive. Beauty and suitability are always considered, but he remembers his own youth, and also considers the special joys of childhood. For it is not Nature lessons that come into his calculations but "the mere association of plants and children." So the birch tree is chosen, partly for its grace and beauty, but also because of its bark, for one can scribble on its papery surface; the hazel, because children delight in the catkins with their showers of golden dust, and the nut "hidden in its cap of frills and tucks." ”

“ Froebel says: "Not only children and boys, but indeed many adults, fare with nature and her character as ordinary men fare with the air. They live in it and yet scarcely know it as something distinct ... therefore these children and boys who spend all their time in the fields and forests see and feel nothing of the beauties of nature and their influence on the human heart. They are like people who have grown up in a very beautiful country and who have no idea of its beauty and its spirit ... ”

“ In both prose and poetry, probably the ultimate aim is appreciation of beauty in human conduct. Clutton Brock says, "The value of art is the value of the aesthetic activity of the spirit, and we must all value that before we can value works of art rightly: and ultimately we must value this glory of the universe, to which we give the name of beauty when we apprehend it." Again he says, "Parents, nurses and teachers ought to be aware that the child when he forgets himself in the beauty of the world is passing through a sacred experience which will enrich and glorify the whole of his life." ”

“ Perhaps teachers with a fair amount of experience might have felt like the beginner who frankly says, "I didn't say anything more because I didn't know what to say," when Dorothy discovered the wonderfulness of glass. Perhaps we are silent because the child has gone ahead of us. It is wonderful, but we have never thought about it. In such cases we must, as Froebel says, "become a learner with the child" and humbly, with real sympathy and earnestness, ask, "Is it wonderful, I suppose it is, but I never thought about it, why do you call it wonderful?" ”

“ There is nearly always some part of a meal on the table, and some washing hanging up. Outside there are the dingy street, the crowded shops, the pavement to play on, and both outside and in, the bleaker and more sordid aspects of life, sometimes miserable, sometimes exciting. On Saturday night the lights are brilliant and life is at least intense. Bed is a very crowded affair, in which many half-undressed children sleep covered with the remainder of the day's wardrobe. ”

“ There is, however, nothing the children love more than the Bible story, the story which shows, so simply, humanity struggling as the children struggle, failing as the children fail, and believing and trusting as the children believe, and as we at least strive to do, in the ultimate victory of Right over Wrong, of Good over Evil. But just because the stories are often so beautiful and so inspiring, the teacher should have freedom to deal with them as the spirit moves her. ”