José María de Pereda

Biographical details

Portrait of José María de Pereda José María de Pereda To the Indies (1864)

Wishing to cut short the scene, that he may sadden his son the less, he presses him silently to his heart, then turns brusquely to his wife and enters the boat with her, imposing upon himself the hard penance of never so much as looking at the frigate until they reach the Mole.
When they land there, Aunt Nisca seats herself in the first doorway they reach. With her elbows on her knees, her head in her hands, her eyes fixed on the ship, and her face wet with tears, she waits there motionless, like a statue of grief, till the black hulk shall disappear.
Source: Wikisource

Portrait of José María de Pereda José María de Pereda Library of the World's Best Literature…

So they can be known."
"Well, I know them, Cleto, I know them: now are you satisfied?"
"Hum—er—why, no, not altogether. That is not enough, Sotileza."
"And what do you wish more?"
"What do I wish more? Gracious goodness! I wish to be a man like another; I want to live a different kind of life from what I've been living: you yourself have been the light that has shown me what another kind of life could be. I want to live the way life goes on in this little shop of yours; I am dying to work for you, and to be neat and clean and decent-spoken, like you.
Source: Wikisource

Portrait of José María de Pereda José María de Pereda To the Indies (1864)

The three are walking along without saying a word,—Uncle Nardo with the greatest possible indifference, his wife, as usual, in the depths of sorrow, looking through her tears at the fateful ship which waits for her boy, rocking out there on the waves, a mile from the Mole. As for Andrew, to judge by his determined air and his disdainful smile, we may rest assured he is cherishing a plan for building up on his own hook, when he should come back from America, a suburb as elegant and solid as the one through which they are passing.
Source: Wikisource

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