José María de Pereda

José María de Pereda

Summary

Portrait of José María de Pereda José María de Pereda A Christmas Eve in Spain (1864)

What evident happiness! Aunt Simona, grasping the handle of the frying-pan in one hand and a wooden spoon in the other, and crouching down upon the bare floor, feels more important than the emperor of China, and regards her task as more difficult and critical than that of an ambassador of peace between two powerful nations engaged in desperate fighting. A great pity it was that the student had not arrived, in order fittingly to celebrate Christmas Eve.
Source: Wikisource

Portrait of José María de Pereda José María de Pereda A Christmas Eve in Spain (1864)

When he learns that they have come and gone, he fills the kitchen with his howls. His father begins to cuff him, but his mother and the student interpose. The fire goes out, the light of the candle flickers, the girl nods, the cat lazily mews, Jeromo's pipe falls from his mouth more than once, the Seminarist talks stupidly about the phenomena of light; and when the neighing of the marzantes is heard far away, with slow and reluctant steps the family of Uncle Jeromo go to seek in repose the end of the lively and pleasant evening.
Aunt Simona is the last to go.
Source: Wikisource

Portrait of José María de Pereda José María de Pereda A Christmas Eve in Spain (1864)

They raise the cover, and there on the bottom, between heaps of flour, bran, and half of a ham, are seen two large jars filled with milk. The boy of the house looks at his friend with an air of triumph. Both of them fasten their eager eyes upon the jars. Both of them stretch out their right hand, and both moisten their forefinger in the milk, each in his own jar. Continuing to move as if by a common impulse, they draw their arms out of the chest, and stand face to face, sucking their fingers.
Source: Wikisource

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