Alfred W. Pollard

“ DEVICE OF EGMONT AND BARREVELT
The merits of printers' devices are twofold—many of them are very pretty, and all of them, when duly studied, are capable of throwing considerable light on the history of printing, more especially on the often important point of the order in which books were issued and the year, or even the month, to which an undated book belongs. The prettiness or beauty of some of the designs will be shown by our illustrations, nor is it difficult to explain how the devices throw light on the careers of their printers. ”

“ The worst evil of the publishing trade at the present day is that if one publisher strikes out a new line, whether in the form of his books, or the prices at which they are issued, or by bringing into notice some hitherto neglected author or subject, one or more of his competitors immediately tries to put similar editions on the market, and to offer purchasers a little more for their money. ”

“ Thus the cheapest of them, the little Florentine chap-books, are not really the equivalent of our modern penny dreadfuls, but rather of the pretty gift-books with which publishers tempt us every Christmas. There was no fifteenth century equivalent to our modern penny dreadfuls, because the sort of people who now read penny dreadfuls then read nothing at all. ”

“ Surely, it should make us rate it more highly. We may almost say that what Herrick borrowed was intrinsically of little more value than the tags from a Latin delectus. He breathed upon them and filled them with his music, so that they assimilate so admirably with his verse, that even when he printed them in italics the meaning of the change of type has long remained a secret to his commentators. It has become a commonplace of criticism to write of Herrick as a 'butterfly,' but he was really a conscious artist, and no mean one. ”

“ Accustomed as we nowadays are to gain our information exclusively by reading letterpress, it is only by a visit to our nurseries that we can recall to ourselves how deeply the need of pictures was felt in the ages before the printing press made the art of reading a common acquirement. ”

“ It is to be regretted that so few English collectors have cared to leave their marks of ownership on the books they have taken so much pleasure in bringing together. Michael Wodhull was a model in this respect, for his book-stamp is one of the most pleasing of English origin, and his autograph notes recording the prices he paid for his treasures, and his assiduous collation of them, make them doubly precious in the eyes of subsequent owners. ”

“ From the production of Queen Mary's Psalter at the earlier date to that of the Sherborne Missal at the later, English manuscripts, if we may judge from the scanty specimens which the evil days of Henry VIII. and Edward VI. have left us, may vie in beauty of writing and decoration with the finest examples of Continental art. If John Siferwas, instead of William Caxton, had introduced printing into England, our English incunabula would have taken a far higher place. But the sixty odd years which separate the two men were absolutely disastrous to the English book-trade. ”

“ They are real illustrations, drawn by men who had certainly read the plays themselves, and in all probability had seen them. To have had, say, the play-scene from 'Hamlet' drawn, however rudely, as a title-cut by a contemporary artist would have been a very pleasant addition to our scanty sources of knowledge as to the appearance of the actors and the stage when Shakespeare's plays were first acted, and, though it is less interesting plays which have come down to us embellished with illustrated title-pages, we may as well take note of what fortune has given us. ”

“ At the outset it had been rather a craft than an art, alike in Germany, in Italy, in the Netherlands, and in France, and, if we do not add England to the list, it is only because in England the workmen, though naïve enough in all conscience, were so entirely untrained that to call them craftsmen would be too great a compliment. ”

“ For fear of any possible mistake, I should perhaps emphasise the point that the collection must be one not of printers' marks cut out from books, but of books in which the marks are printed. Even in the case of book-plates, it has often been noted how much they gain in interest when they are found in situ, though there is always the haunting fear that the conjunction of book and plate may only be due to the ingenuity of the vendor. ”

“ Coming almost at the end of the first series of early illustrated books, the Virgil of 1502 thus exemplifies two of the chief features to which they owe their charm: the power of telling a story and the readiness to import into the most uncongenial themes some touches of the life of their own day. ”

“ In the next reign the French use of the semis or powder, a single small stamp, of a fleur-de-lys, a thistle, a crown, or the like, impressed in rows all over the cover, was increasingly imitated in England, very unsuccessfully, and, save for a few traces of the style of Day, the leather bindings of the first third of the century deserve the worst epithets which can be given them.
Until, however, French fashions came into vogue after the Restoration, English binders had never been content to regard leather as the sole material in which they could work. ”

“ We come now to the last and most interesting section of our subject, the cuts in which one artist has borrowed the design of another, but whether imitating it freely or closely has introduced modifications in technical treatment which make it his own, harmonising it so closely with the work of his own city or country that it easily takes its place with purely native designs until by some chance its real origin is discovered. ”

“ Of other cuts I only suspect the history, and the instances I have quoted are sufficient to show the long life these designs enjoyed in England.
Like some other branches of natural history, 'bibliology,' to use an absurd word, would be very dull if it could all be mapped out and tabulated ready to our hand, but in cut-hunting, as in fox-hunting, there is pleasure to be gained from pursuit, if not from attainment, and especially in English books of the sixteenth century there is never any difficulty in finding a promising cut to hunt. ”

“ None the less, it was hard on a young industry, and though Pynson, Wynkyn de Worde, the Faques, Berthelet, Wolfe, John Day, and others produced fine books in England during the sixteenth century, the start given to the Continental presses was too great, and before our printers had fully caught up their competitors, they too were seized with the carelessness and almost incredible bad taste which marks the books of the first half of the seventeenth century in every country of Europe. ”

“ In the main it resembles very closely indeed the legend as it is known to lovers of English poetry from the version which Chaucer made in his early days and afterwards inserted, with little revision, into the 'Canterbury Tales.' But when Cecilia has gone through the form of marriage with the husband who is forced upon her, and is proceeding with him to his home, the lads of the neighbourhood bar their passage with a demand for petty gifts, to which the virgin submits with good grace—a fragment of Florentine life thus cropping up amid the rather unreal atmosphere of the old legend. ”

“ We have also to be very careful in our examination of cuts before building any theories of borrowing, or special relations between different firms, as in some cases, notably in many of Vérard's 'Horae,' in which we seem at first sight to find cuts from the editions of Philippe Pigouchet, we are really confronted with copies so closely imitated that it requires a minute comparison to show that they are printed from different blocks.
When we pass from borrowing to buying we open up an endless field for investigation, and one rich in small surprises. ”

“ But in Italy at this period every craftsman was an artist, and whether he sought his inspiration in the paintings which he saw around him, in the engravings on copper which had flourished long before book-illustration became popular, in the cuts in foreign books, or in those published in other districts of his own country, the Italian woodcutter always put his own individuality into his work and made the design he was copying his own. ”

“ Practically all learned books of every kind, the great majority of our service-books, most grammars for use in English schools, and even a few popular books of the kind to which Caxton devoted himself, were produced abroad for the English market and freely imported. Only those who mistake the shadow for the substance will regret this free trade, to which we owe the development of scholarship in England during the sixteenth century. ”

“ But book-plates everywhere have been used rather by the small collectors than the great ones, and the regrettable peculiarity of our English bookmen is, not that they despised this rather fugitive sign of possession, but that for the most part they despised book-stamps as well. ”

“ In Venice the little vignettes, so popular between 1490 and 1500, enjoyed a similar, but much shorter, extension of life, the preference for the heavier style of engraving which came in with the turn of the century driving them down into the chap-books, where their original delicacy of line soon procured their destruction at the hands of hasty printers.
Though the vagaries of fashion were thus slightly tempered at the great centres of printing in Italy, fashion interfered with the borrowing of blocks in another way in this country. ”

“ But of the rank and file of the early collectors, the men who bought books not by the cartload, but with individual thought and care, according to the length of purses easily exhaustible—of these for two centuries we know little or nothing. If it had not been for an indiscreet pamphlet published by an English theologian in Holland, our ignorance about English book-collectors might have lasted indefinitely longer. ”

“ WHEN loaves are lacking it seems natural to attach a high value to crumbs, and perhaps this may be accepted as an excuse for printing the following rough notes on the few woodcuts which I have been able to find in editions of English plays printed before 1660. An excuse is needed, because, while the artistic value of the cuts is distinctly low, the plays in which they are found, with the exception of Marlowe's 'Dr. Faustus,' are not of the first interest. On the other hand, as I hope to show, the woodcuts, as a rule, are not merely fancy pictures used only because they looked pretty. ”

“ Unfortunately during the last quarter of a century, and more especially during the last decade of it, the collecting of them has become a hobby which can only be pursued by the very rich. Save perhaps the first editions of masterpieces of our own literature, no books have advanced so rapidly in market-value as those with illustrations. ”

“ For we know Herrick read Montaigne, and we have no evidence that he read Xenophon. Where the quotation is from Horace, or Martial, or Seneca, or any other author whom we may be reasonably sure that Herrick studied at first hand, it is of course quite as likely that he found it for himself as that his attention was drawn to it by Jonson, Burton, or Montaigne. Probably the poet himself would sometimes have been puzzled to trace his obligations to their sources. ”

“ Like most bachelors, Herrick set a high value upon friendship, and in his sedater middle age, when his poetry had lost something of its fire, he set himself to construct a poetic temple to commemorate the virtues of the men and women whom he most loved or honoured. ”

“ When we turn from books, printed or in manuscript, to their possessors, it is only just to begin with a compliment to our neighbours across the Channel. No English bookman holds the unique position of Jean Grolier, and les femmes bibliophiles of England have been few and undistinguished compared with those of France. ”

“ Turning lastly to bindings, the first point which may fairly be made is that England is the only country besides France in which the art has been consistently pursued with success through many centuries, and that in length of pedigree it far surpasses even France herself. Early in the twelfth century, if not before, the Winchester bookmen turned their attention also to leather-binding, and the school of design which they started, spreading to London, Durham, and Oxford, did not die out until it was ousted by the large panel stamps introduced from France at the end of the fifteenth century. ”

“ The printers and bookmen of this period were not distinguished by much originality, or by delicate artistic taste, but they were men of considerable enterprise, and their interest in their books was great and genuine. This interest and enterprise left a very distinctive mark on the types, the illustrations and the bindings of the books of the period, and though the ideas which underlie them were mostly borrowed from abroad, they were developed with a certain freedom and largeness which are not without their effect. ”

“ IMITATED FROM THE NAPLES EDITION OF 1485 DESPITE some efforts to prove the contrary, there can be little doubt that the art of taking clichés of woodcuts, or of cuts engraved on soft metal treated in the same way as wood, was quite unknown during the fifteenth and sixteenth centuries. If one printer or publisher desired the use of a set of cuts in possession of another, it was open to him to try to borrow or buy them, and failing this to have them copied as best he could, on the theory of artistic copyright having as yet been broached. ”