Summary

Portrait of C. J. S. Thompson C. J. S. Thompson The Mystery and Romance of Alchemy and Pharmacy

Moreover, I protest, be it man, woman, or servant who is my patient, to cure them of all things, that I may see or hear either in mind or manner, and I shall not betray that which should be concealed or hidden, but keep inviolable with silence; neither reveal any creature under pain of death. And therefore I beseech our gods that observing this protestation, promise, and vow entirely and inviolably, all things in my life, in my art, and science, may succeed securely, healthfully, and prosperously to me, and in the end eternal glory.
Source: Gutenberg

Portrait of C. J. S. Thompson C. J. S. Thompson The Mystery and Romance of Alchemy and Pharmacy

The great bell-shaped mortar, which was of considerable capacity, usually stood, mounted on a solid block of wood, near the centre of the shop, the huge pestle, three feet or more in length, being suspended from a long wooden spring beam by a chain and ring. One can readily picture the youthful apprentice, clad in jerkin and trunk hose, exercising his muscles with the ponderous pestle, and with what mingled feelings he would essay the task of pounding half a hundred-weight of aloes to begin his day’s work and give him an appetite for his midday meal.
Source: Gutenberg

Portrait of C. J. S. Thompson C. J. S. Thompson The Mystery and Romance of Alchemy and Pharmacy

PHARMACY IN THE TIME OF QUEEN ELIZABETH. To obtain a clear conception of the great advance that has been made in medicine and pharmacy, it is necessary to look back through the vista of centuries at the Elizabethan apothecary. In doing so, we should note how the influence of superstition and charlatanry, with which the art of healing was surrounded and intermixed, has been gradually dispersed under the searching light of science. One can picture the apothecary’s shop in the days of “good Queen Bess”.
Source: Gutenberg

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