Summary

Elizabeth Lee Dictionary of National Biography… (1912)

Soon afterwards she relinquished public work, owing to age and failing health, and retired for some nineteen years to her house at Avignon, where she had invariably spent her holidays and where she endeared herself to the people by her generous benefactions. Stress of work told on her appearance as well as on her health. Although she had been beautiful as a girl, she acquired in middle life an aspect of sternness. But in old age some of her youthful beauty reappeared. At the end of 1904 she returned to England, and under the care of her niece. Miss Mary Taylor, settled at Torquay.
Source: Wikisource

Elizabeth Lee Dictionary of National Biography… (1912)

An anonymous lady admirer erected over the grave a monument representing the recumbent figure of Ouida with a dog at her feet.
Ouida had an artificial and affected manner, and although amiable to her friends was rude to strangers. Cynical, petulant, and prejudiced, she was quick at repartee. She was fond of painting, for which she believed she had more talent than for writing, and she was through life in the habit of making gifts of her sketches to her friends. She knew little at first hand of the Bohemians or of the wealthy men and women who are her chief dramatis personæ.
Source: Wikisource

Elizabeth Lee Dictionary of National Biography… (1912)

A disciple of Wordsworth from the outset, he had a predilection for picturesque and romantic themes. He was at his best in the poems on old Irish subjects, and in his sonnets some of which like 'The Sun-God' and 'Sorrow' reach a high standard of accomplishment. Sara Coleridge said of him that he had more entirely a poet's nature than even her own father or any of the poets she had known. His poetry enjoyed much vogue in America. An accomplished writer of prose, De Vere was judged by R. H. Hutton to be a better critic than poet.
Source: Wikisource

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