Francis Storr

Summary

Francis Storr 1911 Encyclopædia Britannica (1911)

It has substituted pomp for grandeur, school routine for individual inspiration, elaborateness for simplicity, fadeur and the monotony of literary orthodoxy for variety, the source and spring of intellectual life; and in the works produced under its auspices we discover the rhetorician and the writer, never the man. By all its traditions the academy was made to be the natural ornament of a monarchical society.
Source: Wikisource

Francis Storr 1911 Encyclopædia Britannica (1911)

Kings of France could condone a witticism even against themselves, a parvenu could not.”
On the whole the influence of the French Academy has been conservative rather than creative. It has done much by its example for style, but its attempts to impose its laws on language have, from the nature of the case, failed. For, however perfectly a dictionary or a grammar may represent the existing language of a nation, an original genius is certain to arise—a Victor Hugo or an Alfred de Musset—who will set at defiance all dictionaries and academic rules.
Source: Wikisource

Francis Storr 1911 Encyclopædia Britannica (1911)

Matthew Arnold’s plea for an English academy of letters to save his countrymen from the note of vulgarity and provinciality has met with no response. Academies have been supplanted, socially by the modern club, and intellectually by societies devoted to special branches of science. Those that survive from the past serve, like the Heralds’ College, to set an official stamp on literary and scientific merit. The principal academies of Europe, past and present, may be dealt with in various classes, according to the subjects to which they are devoted.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature