G. K. Chesterton

G. K. Chesterton

Summary

Portrait of G. K. Chesterton G. K. Chesterton Lord Kitchener (1917)

Perhaps the duel of a man with a modern gun is more like that between a man and an enormous dragon; nor is there anything on the weaker side save the ultimate and almost metaphysical truth, that a man can make a gun and a gun cannot make a man. It is the man—the Russian soldier and peasant himself—who has emerged like the hero of an epic, and who is now secure for ever from the sophisticated scandal-mongering and the cultured ignorance of the West.
And it is this that lends an epic and almost primeval symbolism to the tragedy of Kitchener's end.
Source: Wikisource

Portrait of G. K. Chesterton G. K. Chesterton Lord Kitchener (1917)

There are many such noble tragedies of travel in the records of his country; it was so, silently without a trace, that the track of Franklin faded in the polar snows or the track of Gordon in the desert sands. But this was an adventure new for such adventurous men—the finding not of strange foes but of friends yet stranger. Many men of his blood and type—simple, strenuous, somewhat prosaic—had threaded their way through some dark continent to add some treasure or territory to the English name.
Source: Wikisource

Portrait of G. K. Chesterton G. K. Chesterton Lord Kitchener (1917)

He mystified all the English pessimists, in what seemed to them the blackest hour of pessimism, by announcing that Germany had "shot her bolt"; that she had already lost her chance, not by any of the Allied attacks, but by the stupendous skill and valour of that Russian retreat, which was more triumphant than any attack. It is this discovery that marks an epoch; for that great deliverance was not only the victory of Russia, but very specially the victory of the Russians. Never before was there such a war of men against guns—as awful and inspiring to watch as a war of men against demons.
Source: Wikisource

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