Summary

Portrait of George Santayana George Santayana Soliloquies in England, and Later Soliloquies

Like the Ghost in Hamlet this apparition, this unthinkable fact, is terribly disturbing and emphatic; it cries to us in a hollow voice, "Swear!" and when in an agony of concern and affection we endeavour to follow it, "Tis here! 'Tis here! Tis gone!" Certainly existence can bewitch us; it can compel us to cry as well as to laugh; it can hurt, and that is its chief claim to respect. Its cruelty, however, is as casual as its enchantments; it is not cruel on purpose but only rough, like thoughtless boys. Coarseness—and existence is hopelessly coarse—is not an evil unless we demand refinement.
Source: Gutenberg

Portrait of George Santayana George Santayana Soliloquies in England, and Later Soliloquies

But England is also, more than any other country, the land of poetry and of the inner man. Her sunlight and mists, her fields, cliffs, and moors are full of aerial enchantment; it is a land of tenderness and dreams. The whole nation hugs its hallowed shams; there is a real happiness, a sense of safety, in agreeing not to acknowledge the obvious; there is a universal conspiracy of respect for the non-existent. English religion, English philosophy, English law, English domesticity could not get on without this "tendency to feign." And see how admissible, how almost natural this chimera is.
Source: Gutenberg

Portrait of George Santayana George Santayana Soliloquies in England, and Later Soliloquies

He sees; which to her is a mystery, because although she has always acted as if, in some measure, she felt things at a distance, she has never seen and never can see anything. Nor are his senses, for all their vivacity, of any use to her. For what do they reveal to him? Always something irrelevant: a shaft of dusty light across the rafters, a blue flame dancing on the coals, a hum, a babbling of waters, a breath of heat or of coolness, a mortal weariness or a groundless joy—all dream-images, visions of a play world, essences painted on air, such as any poet might invent in idleness.
Source: Gutenberg

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