George Santayana

“ Nor is abstraction a less human process, as if by becoming very abstruse indeed we could hope to become divine. Is it not a commonplace of the schools that to form abstract ideas is the prerogative of man’s reason? Is not abstraction a method by which mortal intelligence makes haste? Is it not the makeshift of a mind overloaded with its experience, the trick of an eye that cannot master a profuse and ever-changing world? Shall these diagrams drawn in fancy, this system of signals in thought, be the Absolute Truth dwelling within us? Do we attain reality by making a silhouette of our dreams? ”

“ Consciousness is not lost when focussed, and the labour of vision is abolished in its fruition. So the musician, could he play so divinely as to be unconscious of his body, his instrument, and the very lapse of time, would be only the more absorbed in the harmony, more completely master of its unities and beauty. At such moments the body’s long labour at last brings forth the soul. Life from its inception is simply some partial natural harmony raising its voice and bearing witness to its own existence; to perfect that harmony is to round out and intensify that life. ”

“ Art has met, on the whole, with more success than science or morals. Beauty gives men the best hint of ultimate good which their experience as yet can offer; and the most lauded geniuses have been poets, as if people felt that those seers, rather than men of action or thought, had lived ideally and known what was worth knowing. That such should be the case, if the fact be admitted, would indeed prove the rudimentary state of human civilisation. The truly comprehensive life should be the statesman’s, for whom perception and theory might be expressed and rewarded in action. ”

“ To worship mankind as it is would be to deprive it of what alone makes it akin to the divine—its aspiration. For this human dust lives; this misery and crime are dark in contrast to an imagined excellence; they are lighted up by a prospect of good. Man is not adorable, but he adores, and the object of his adoration may be discovered within him and elicited from his own soul. In this sense the religion of humanity is the only religion, all others being sparks and abstracts of the same. The indwelling ideal lends all the gods their divinity. ”

“ He hears voices on all occasions; he incorporates what little he observes of nature into his verbal dreams; and as each new impulse bubbles to the surface he feels himself on the verge of some inexpressible heaven or hell. He needs but to abandon himself to that seething chaos which perpetually underlies conventional sanity—a chaos in which memory and prophecy, vision and impersonation, sound and sense, are inextricably jumbled together—to find himself at once in a magic world, irrecoverable, largely unmeaning, terribly intricate, but, as he will conceive, deep, inward, and absolutely real. ”

“ Sensuous living (and I do not mean debauchery alone, but the palpitations of any poet without art or any mystic without discipline) is not only inconsequential and shallow, but dangerous to honour and to sincere happiness. When life remains lost in sense or reverts to it entirely, humanity itself is atrophied. And humanity is tormented and spoilt when, as more often happens, a man disbelieving in reason and out of humour with his world, abandons his soul to loose whimseys and passions that play a quarrelsome game there, like so many ill-bred children. ”

“ Any absolute work of art which serves no further purpose than to stimulate an emotion has about it a certain luxurious and visionary taint. We leave it with a blank mind, and a pang bubbles up from the very fountain of pleasures. Art, so long as it needs to be a dream, will never cease to prove a disappointment. Its facile cruelty, its narcotic abstraction, can never sweeten the evils we return to at home; it can liberate half the mind only by leaving the other half in abeyance. In the mere artist, too, there is always something that falls short of the gentleman and that defeats the man. ”

“ All experience at bottom liberal.
Consciousness is not ideal merely in its highest phases; it is ideal through and through. On one level as much as on another, it celebrates an attained balance in nature, or grieves at its collapse; it prophesies and remembers, it loves and dreams. It sees even nature from the point of view of ideal interests, and measures the flux of things by ideal standards. It registers its own movement, like that of its objects, entirely in ideal terms, looking to fixed goals of its own imagining, and using nothing in the operation but concretions in discourse. ”

“ This ideal synthesis of all that is good, this consciousness that over earth floats its congenial heaven, this vision of perfection which gilds beauty and sanctifies grief, has taken form, for the most part, in such grossly material images, in a mythology so opaque and pseudo-physical, that its ideal and moral essence has been sadly obscured; nevertheless, every religion worthy of the name has put into its gods some element of real goodness, something by which they become representative of those scattered excellences and self-justifying bits of experience in which the Life of Reason consists. ”

“ To fight is a radical instinct; if men have nothing else to fight over they will fight over words, fancies, or women, or they will fight because they dislike each other’s looks, or because they have met walking in opposite directions. To knock a thing down, especially if it is cocked at an arrogant angle, is a deep delight to the blood. To fight for a reason and in a calculating spirit is something your true warrior despises; even a coward might screw his courage up to such a reasonable conflict. The joy and glory of fighting lie in its pure spontaneity and consequent generosity ”

“ The wonder of an artist’s performance grows with the range of his penetration, with the instinctive sympathy that makes him, in his mortal isolation, considerate of other men’s fate and a great diviner of their secret, so that his work speaks to them kindly, with a deeper assurance than they could have spoken with to themselves. And the joy of his great sanity, the power of his adequate vision, is not the less intense because he can lend it to others and has borrowed it from a faithful study of the world.
True art measures and completes happiness. ”

“ We may take comfort in praising the mixed and perfunctory attachments which cling to us by force of habit and duty, repeating the empty names of creatures that have long ceased to be what we once could love, and assuring ourselves that we have remained constant, without admitting that the world, which is in irreparable flux, has from the first been betraying us.
Ashamed of being so deeply deceived, we may try to smile cynically at the glory that once shone upon us, and call it a dream. But cynicism is wasted on the ideal. ”

“ There is no greater stupidity or meanness than to take uniformity for an ideal, as if it were not a benefit and a joy to a man, being what he is, to know that many are, have been, and will be better than he. Grant that no one is positively degraded by the great man’s greatness and it follows that everyone is exalted by it. Beauty, genius, holiness, even power and extraordinary wealth, radiate their virtue and make the world in which they exist a better and a more joyful place to live in. ”

“ But it is one thing to make room for genius and to respect the sudden madness of poets through which, possibly, some god may speak, and it is quite another not to judge the result by rational standards. The earth’s bowels are full of all sorts of rumblings; which of the oracles drawn thence is true can be judged only by the light of day. If an artist’s inspiration has been happy, it has been so because his work can sweeten or ennoble the mind and because its total effect will be beneficent. Art being a part of life, the criticism of art is a part of morals. ”

“ We have seen that science is nothing but developed perception, interpreted intent, common-sense rounded out and minutely articulated. It is therefore as much an instinctive product, as much a stepping forth of human courage in the dark, as is any inevitable dream or impulsive action. Like life itself, like any form of determinate existence, it is altogether autonomous and unjustifiable from the outside. It must lean on its own vitality; to sanction reason there is only reason, and to corroborate sense there is nothing but sense. ”

“ It is no marvel, when art is a brief truancy from rational practice, that the artist himself should be a vagrant, and at best, as it were, an infant prodigy. The wings of genius serve him only for an escapade, enabling him to skirt the perilous edge of madness and of mystical abysses. But such an erratic workman does not deserve the name of artist or master; he has burst convention only to break it, not to create a new convention more in harmony with nature. ”

“ A harmony in appearance only, one that touches the springs of nothing and has no power to propagate itself, is so partial and momentary a good that we may justly call it an illusion. To gloat on rhythms and declamations, to live lost in imaginary passions and histrionic woes, is an unmanly life, cut off from practical dominion and from rational happiness. A lovely dream is an excellent thing in itself, but it leaves the world no less a chaos and makes it by contrast seem even darker than it did. ”

“ There are many things which, as Aristotle says, it is better not to know than to know—namely, those things which do not count in controlling the mind’s fortunes nor enter into its ideal expression. Such is the whole flux of immediate experience in other minds or in one’s own past; and just as it is better to forget than to remember a nightmare or the by-gone sensations of sea-sickness, so it is better not to conceive the sensuous pulp of alien experience, something infinite in amount and insignificant in character. ”

“ The more we reflect, the more we live in memory and idea, the more convinced and penetrated we shall be by the experience of death; yet, without our knowing it, perhaps, this very conviction and experience will have raised us, in a way, above mortality. That was a heroic and divine oracle which, in informing us of our decay, made us partners of the gods’ eternity, and by giving us knowledge poured into us, to that extent, the serenity and balm of truth. ”

“ What nature does with existence, art does with appearance; and while the achievement leaves us, unhappily, much where we were before in all our efficacious relations, it entirely renews our vision and breeds a fresh world in fancy, where all form has the same inner justification that all life has in the real world. As no insect is without its rights and every cripple has his dream of happiness, so no artistic fact, no child of imagination, is without its small birthright of beauty. ”

“ He had begun to question the utility of religion, of patriotism, and of justice. Having allowed the organ for the ideal to atrophy in his soul, he could dream of finding some sullen sort of happiness in unreason. He felt that the austere glories of his country, as a Spartan regimen might have preserved them, would not benefit that baser part of him which alone remained. Political virtue seemed a useless tax on his material profit and freedom. The tedium and distrust proper to a disintegrated society began to drive him to artificial excitements and superstitions. ”

“ To deal with so great an object, and retain his mastery over it, a poet would doubtless need a robust genius. If he possessed it, and in transmuting all existence falsified nothing, giving that picture of everything which human experience in the end would have drawn, he would achieve an ideal result. In prompting mankind to imagine, he would be helping them to live. His poetry, without ceasing to be a fiction in its method and ideality, would be an ultimate truth in its practical scope. It would present in graphic images the total efficacy of real things. ”